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In this gruesome case, the likeable village policeman, Franz Gasperlmaier, needs particularly strong nerves. The tranquil Aussee summer idyll is disturbed by a terrible discovery in Lake Toplitz. A diver pulls a sawed-off hock from the water. But whose? Luckily, Gasperlmaier's mother-in-law knows the Aussee people very well and already has an idea who's up. The mother-in-law is proven right. The murdered man was last seen at the Altaussee Ski Club's fish dinner. Gasperlmaier and his new wife, Doctor Jolante Roth, suspect the murderer is among the guests. Time is running out, because a second terrible murder follows.

Village policeman Gasperlmaier has a tough time in his third case. He's immediately summoned from a funeral to the bathroom of a family home. There, he finds a dead body. Together with his new superior, the investigation begins. But the first death is followed by a second. More and more pieces of the puzzle are piecing together a grim picture from the past. There's little time left for Gasperlmaier and his new boss, and it seems his mother-in-law is also involved.

Gasperlmaier doesn't have it easy: A mysterious phone call leads him to Loser, where the bodies of two women become his latest murder case. While Gasperlmaier battles his fear of heights and his weak stomach, he and Dr. Weiss from the Liezen District Police Command face ever more controversial questions.

Even Franz Gasperlmaier had never seen anything like this before. He's seen a lot of things, after all, Gasperlmaier has been a police officer in Altaussee for more than twenty years. But a stabbed man on a Monday morning in the festival tent at the Altaussee Kirtag is too much even for a seasoned man like him. And so he makes a wrong decision, not his last one that day, and the dead man sitting in his own blood in the festival tent won't be the only victim.

KILLING STELLA is an ice-cold examination of a failed marriage and the self-reproach of a wife and mother. It is a prequel to THE WALL in both literary and cinematic terms.

The dead body of a tourist is found in the mountains of Tyrol. The murder investigation focuses on the residents of a seemingly quiet village.

Luis Trenker - South Tyrolean mountaineering legend, actor and director - traveled to the Venice Film Festival in the summer of 1948. He wants to offer Eva Braun's diaries to the American Hollywood agent Paul Kohner for filming. At the same time, the authenticity of these diaries is negotiated before the Munich district court. The director Leni Riefenstahl, ex-lover of Trenker, feels disgraced by the implication that she was Hitler's lover. The story is told in flashbacks of two opportunists who, possessed by the will for artistic success, instrumentalize themselves ...

A young Austrian soldier in World War I fights his way through the Alps to rescue his Italian girlfriend and escape the impending explosion that will rock the mountain.

Since 1920, "Jedermann," "The Play of the Rich Man's Death" by Hugo von Hofmannsthal, has been performed at the Salzburg Festival in front of the mighty Salzburg Cathedral. In 2013, Julian Crouch and Brian Mertes, as the directing team, took on the challenge of staging a new production. "We will begin ceremoniously with a procession from the Festspielhaus to the Cathedral Square, working with nature, the elements, the city, each other – but above all with the audience – to tell the story of 'Everyman,' his life's journey and transformation. His life must be rich, joyful, and overflowing – also for the audience. On the path to his conversion, he encounters a number of very powerful theatrical characters. We want – like a medieval theater troupe – to captivate our audience with spectacle and humor, to sweep them away, and invite them to follow Everyman's path and to understand it as their own – at least for the two-hour performance."

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