Marcel Bozzuffi

A portrait of a man of rare elegance and enigmatic charm, versatile and successful: Jean-Louis Trintignant, one of the most critically acclaimed French actors of the last sixty years, known for his numerous roles on stage and screen.

A fugitive criminal leaves a briefcase full of dollars, the result of a stroke that has just scored. An official of the Chamber of Deputies, who noticed the scene, decided to turn their lives collecting. Then he hides the money and left for a vacation. Unfortunately for him this act of greed's terribly complicated life.

Colin and Mailland are small-time crooks on the run who are surprised to find the seven-year-old runaway Savannah is along for the ride. The police and her parents fear she has been kidnapped, and a massive manhunt is launched with orders to shoot to kill the alleged perpetrators. The lovable little girl soon melts the hearts of the crooks, as the trio enjoy an unlikely but sentimental friendship.

Beatriz is an attractive young lawyer who enjoys an enviable position thanks to the influence of her father, a prominent businessman. Lucas, a young man with a rather shady past, is struggling to emerge from the unfavorable situation in which life has placed him. When Lucas is arrested with a stash of adulterated cocaine, he becomes a client of Beatrice. He has hidden the pure cocaine with the intent to share it only with his associate Uriarte; and to do so he has had to deceive another one of his accomplices, making him believe that the business has failed.

Dr. Paul Calmet is dead. His son Jean again feels the familiar feeling of anguish caused by his father; victim of this torture, he is carrying the virus of misfortune.

Robert Wagner plays an American who owns a Lisbon nightclub and Teri Garr is a slightly dippy chanteuse who has stumbled across a Nazi plot to kidnap the Duke and Duchess of Windsor, living at the time (1942) in Portugal.

Good dope is becoming rare in the North of Paris. Drugstores are being raided by junkies and gangs are nervous, fighting each others: the 'Viets', the 'Blackies', the 'Arabs', the neo-nazis 'Justiciers' and some mean gays. Vincent (Daniel Auteuil) is the good cop coming from Marseilles where he was a gangster. He's a soft method guy but also kicks assses hard and throw lethal dialog lines when needed. With the precious help of 'l'Arbalète'* (Marisa Berenson**), a tox' prostitute ex-member of Vincent's former gang, he will try to put order in that mess. There's also a violent and racist cop (Marcel Bozzuffi), Algeria veteran with hard methods, whose role could be more than to protect and to serve.

An aristocratic Sicilian family living in the 1950s. Count Villafratti has sex one night with his nymphomaniac daughter because he thinks she is his wife.

Movie director Niccolò has just been left by his wife. Subsequently he embarks on an obsessive relationship with a young woman who eventually leaves him and disappears while searching for her, he meets a variety of other willing girls. This gives him the idea of making a movie about women's relationships. He starts to search for a woman who can play the leading part in the movie.

In this routine drama, two men (a crass Brit and a slow Frenchman) decide to evade the war in 1917, but their flight on a stolen boat goes awry and they end up on the coast of France, close to the fighting they wanted to leave behind. Once on shore, they make the acquaintance of a like-minded young widow who begins an affair with both men (she just wants to have a child by each) -- but their unusually idyllic existence is threatened with imminent tragedy as the French army advances ever closer.