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During Ienari Tokugawa's period. Hanakurabe (a playful competition of poetry with flowers in this period) was held to please Shogun (General), and Shiroshobu of the Date family and Higoshobu of the Hosokawa family competed with each other. As a result, the Hosokawa family won and Yahei Tabuki of the Date family killed himself. At the funeral, a beautiful woman (Hibiko Maya) appeared in front of Yahei's son, Yazyuro (Tsuyoshi Kato). The woman said, "I am a woman of the Hosokawa family, and the person who killed your father" and left. To revenge father, he became "Hanaonmitsu" to make a better flower than Higoshobu.

Kayo (Kimie Shingyoji), who married Jingoro (Jun Eto) of the small-time goods dealer Kagamishimaya, is unable to even hug each other seven days after the wedding. Kayo (Kimie Shingyoji), who married Jingoro (Jun Eto), a merchant in a small house in Kagamiya, is unable to even hug Kayo even seven days after the wedding ceremony. One day, Jingoro suddenly dies, but a monk (Ichiro Arishima) appears to the grieving family and tells them that his soul has simply slipped away, and the next morning Jingoro wakes up as if nothing had happened. A few days later, Kayo follows the spirit that escaped from Jingoro again and arrives at the grave of Araji, where she sees Jingoro meeting with the spirit of a young girl. In fact, three years earlier, Jingoro had been torn apart by the daughter (Keiko Suzuka) of Miuraya, a kimono wholesaler, and they had tied each other's fingers together with string, slit their wrists, and thrown themselves off a boat.

No plot available for this movie.

Oichi may have met her match as she vies against the evil beauty that has set her sights on destroying her. She must face numerous other challenges before confronting her greatest rival. While longing to live and love like other women, she realizes that she can never have a normal life, her sword which she holds on to like a security blanket will always come between her and such a life...

Assassination begins with the events of 1853 when "four black ships" anchored at Edo Bay, sparking civil unrest and the major political manoeuvring that saw the end of the Tokugawa Shogunate. At a time when assassination had become a disturbing political tool, Shinoda's film follows Hachiro Kiyokawa, an ambitious, masterless samurai whose allegiances drift dangerously between the Shogunate and the Emperor.

Misawa Ihei (Nagato) is traveling with his wife Tae (Iwashita Shima) who abhors the practice of sword fighting for prize money. Tae is the daughter of the clan's chief counselor who married the low-ranking Ihei to avoid becoming the clan lord's mistress. Into the mix comes Oba Gunjuro (Tetsurō Tamba), a mysterious ronin who will do anything for money. This leads to a fitting climax as the forces of hate and love converge while the couple attempt to break through the border!

Young Lord Takenaka stands to succeed his father until a series of violent actions lead his retainers to think that he has gone mad with blood-lust. Never offering any explanation, he continues his seemingly unprovoked attacks until he is sent away from his domain.

A resolute young man searching for his mother, whom he was separated from as a child, defies a family who mistreat the poor and homeless.

A tea master and his daughter Ogin are both Christians in feudal Japan. Ogin falls in love with a married feudal prince who shares her faith. When the Shogun bans Christianity, the situation worsens.

1961 Japanese movie
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