
Lee Jung-eun is a celebrated South Korean actress, born on January 23, 1970, in Seoul. She pursued her passion for the arts by studying Theater and Film at Hanyang University, graduating in 1992. Her career began in theater, where she debuted as an assistant director in a 1991 production of "A Midsummer Night's Dream." She remained active in theater throughout the 1990s and 2000s. Lee transitione...
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Hyun-ju, a kind-hearted small-town cop with a razor-sharp mind, is summoned by the local hospital to deal with Do-kyung, who has arrived carrying the limp body of her sister, believed to have been stabbed in a violent attack by her controlling fiancé. Hyun-ju, herself a victim of domestic abuse, is sympathetic until she finds holes in Do-kyung's statement. Her suspicions are further aroused when it transpires that the injured woman is not Do-kyung's sister and Do-kyung's real sister is missing.

When the man responsible for their youngest daughter's death is suddenly released from prison, a grieving mother, Ok-sil, and her three daughters embark on a revenge-fueled road trip to Gyeongju.

Jung-hwan, a professional wild animal trainer, spends his days bickering and playing with his teenage daughter, Soo-ah, who is passionate about dancing. Then one day, Soo-ah gets infected by a zombie virus that sweeps across the world. To protect her, Jung-hwan takes Soo-ah to Eunbong-ri, a seaside village where his mother, Bam-soon, lives. In a society determined to root out the infected, Jung-hwan notices that Soo-ah still seems to understand words, responds to her favorite songs and dances, and even flinches when scolded by Grandma Bam-soon's back scratching stick. Refusing to give up on his daughter, Jung-hwan calls on his years of animal training experience and begins the top-secret mission of training his zombie daughter…

Young composer Yeonji lands her dream job at the prestigious and isolated Forte Studio that soon reveals itself as an unsettling work environment because of the eerie atmosphere around there and odd behaviors from her colleagues and boss. But Yeonji’s fierce ambition doesn’t allow her to give up and, when she realizes that her boss uses her as a mere ghostwriter, the competitive spirit between the two arises until it escalates into a matter of life and death.

A native Korean man, born to Korean parents as a Black individual, and a lesbian woman still holding onto memories of her ex-lover embark on a journey together.

For generations, the eldest son of the village has been the protector, but the current heir, Dr. Cheon, is a fake exorcist who doesn't believe in ghosts. Using his penetrating insight into people's minds, he performs fake exorcisms and resolves cases brought to him. However, Yoo-kyung, a client who can see ghosts, approaches him with an offer too tempting to refuse. With his assistant In-bae, Dr. Cheon heads to Yoo-kyung's house, and gets involved in a series of strange phenomena. As they delve into the mysteries there, they uncover the secrets of a talisman known as 'Seolkyung'...

A struggling filmmaker finds unexpected solidarity and validation when she takes on the job of restoring a classic 1960s film directed by the first known female South Korean director.

When family members feel more like strangers than a hired caretaker, what is an aging parent to do? Mal-im, age 85 and living alone, finds her independent lifestyle increasingly difficult to maintain. Her son, faced with his own financial and family burdens, is simply unavailable, and Mal-im's discomfort is only worsened by the quirky but sincere caretaker he sends. When the Seollal (Lunar New Year) holiday brings the family together, tensions finally explode out into the open.

Hae-su works at a factory on the outskirts of Seoul. Returning home from work, she makes a phone call that goes to voicemail; nearing her residence, another phone call comes in, but she doesn't pick up. Inside the house is her mother's body—she died from mysterious circumstances. A knock on the door goes unanswered, but when a plainclothes police officer arrives, Hae-su lets him in. An exchange of documents, uncertain glances. With Hae-su and her tempermental brother the only attendants at her mother's funeral, there are more questions than answers.

Ha-neul, who is unemployed, moves to his best friend Bong-sik's house after breaking up with his lover. Together, they face the woes of love and relationships.
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