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A gangster turns over a new leaf working as a gardner in a remote island off of Hong Kong. There he falls in love, but is haunted by a past that would not allow him to forget.

Lau used all his savings to purchase a house from a shady profiteer named Wing. The house had plenty of problems--despite the fact that it wasn't even big enough for a single person--and Lau tried to sue Wing to recover his money, but lost. Lau eventually died of depression because of this ruling, but before he passed, he asked his daughter to get revenge on Wing. It wasn't long before the Lau family was able to use Wing's greedy personality against him and trick him into bankruptcy. But when he discovers what happened to him--and who was responsible--he decides not to take it sitting down...

Taking place in 1941, Love in a Fallen City centers on Pai, a young woman who has been ostracized by her family for divorcing her rich husband. A local match-maker, Mrs. Hsu, takes pity on Pai and decides to bring her to Hong Kong, under the guise of employing her as the Hsu's nanny, but in reality to introduce her to Fan. Pai and Fan seem to hit it off, but Fan's refusal to marry Pai soon sours things. However, as the Japanese begin to invade Hong Kong, the two begin to realize their true feelings for each other.

When a young man ignores a feng shui master’s warning and decides to marry before turning 30, a series of mishaps begins to curse his life.

Joyce Ni (Esprit D'Amour) and Sandy Lam play two sisters who pick pockets for a living, and manage to run afoul of a pair of cops (Leslie Cheung and Billy Lau) after lifting their wallets. However, rather than arresting the two thieves, the cops are taken in by their obvious charms, and with urban, metropolitan Hong Kong as a backdrop, romance seems almost inevitable. But the girls also lifted a precious jade from a vicious hitman, who soon comes looking for his stolen property...

A Cantonese factory woman obsessed with a famous Wuxia actor, has her fantasy crushed after discovering he is not the charming and humble person his movies portray him as. - Matthew E Carter

Industrialist Tam Kar-cheung knowingly puts the lives of his workers at risk so as to line his pocket with insurance payments. The chivalrous Bus Money gets into fisticuffs with Tam's chauffeur, Tam Biu, who bears a grudge against the assailant. When Money catches wind of Kar-cheung's vicious plot to set fire to a squatter area to clear the path for a property development project, she moves in and watches vigilantly for signs of arson. Soon, she saves Ah-hau, Biu's girlfriend and a young victim of drug rape, from her suicidal attempt by drowning. Money pursues fragments of clues which lead her to the victim's boss, Taipan Cheung who sucks up to his master Kar-cheung by drawing his prey to her trap. Money then organises squatter residences into fire brigade to guard against arson attacks and exposes Kar-cheung's evil. Realising he has been exploited for his blind loyalty, Biu teams up with Money to dispense justice.

The Diary of a Husband serves as an illustration for the arrival of the white-collar economy, in which the extended family is replaced by the smaller nuclear family. It is a story about four pals who work at the same office, which, like other white-collar workplaces, has become the men's primary site of life, where livings are made and friendships fostered. Meanwhile, their wives have fostered something of their own—a brigade to catch cheating husbands. Much comedy is then generated by the cat-and-mouse game between the men and the women...The battle line drawn here between the sexes remains for years, to the extent that this very same story has been retold many times in Hong Kong films, including Men Suddenly in Black, the 2003 Pang Ho-cheung film with a similar Chinese title.

HK horror film.
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