Rimma Shorokhova

Historical reconstruction of the events of the anti-fascist struggle in Slovakia in 1943 and 1944.

In this crime story, surprisingly, neither the all-powerful criminals nor the spies or saboteurs are pursued, as was once common. The plot is almost mundane: someone unwittingly siphoned off alcohol from a tanker, unaware that it was deadly methyl alcohol, intended for industrial use. Finding out where the poison has been transported and which people it endangers requires painstaking work.

During the Slovak National Uprising, even ordinary people were determined to perform heroic deeds, even though they knew they were exposing themselves to great danger. The heroine of this film, a simple country woman, has a hard time paying for her bravery: she is sentenced to death, postponed for now so that she can nurse her recently born baby. She is even offered salvation if she betrays, but the presence of a member of the Soviet army infuses her with determination and hope. Early Spring belongs to the usual schematic, lifeless staged views of the subject that the communist regime has elevated to the level of sacred matter.

Young couple separated by World War 2, dream of being reunited years later.

Semyon Danilovich Petukhov was very surprised to found upon returning from vacation that he was declared dead and... buried.

1935. Two families — Davydov's with three children and the newlyweds Lida and Dmitri Kashirin's — enter the new house on the outskirts of Moscow into a common communal apartment. The children grow up, and they and the adults around them are looking for their place in life, looking for answers to the questions of who to be and what to be, quarreling, making peace, building relationships, destroying them. Six years later, the peaceful lives of characters, with their joys and misfortunes, quarrels and reconciliations, and complex personal relationships, are blown up by a war that connects everyone at once, forcing them to see the meaning of their days, their attitudes to each other and their life values in a different way. For some of them, war is a fatal trait.

An idealistic, sophisticated young woman meets a rough-around-the-edges, blue collar man and rejects him, only to find out later that they are destined for true love together, despite the fact that he cannot now pass his certification test after she threw him out of her adult education class.

A comedy about Krushchev's 'Virgin Lands' project, to transform the barren and inhospitable spaces of the vast Soviet Union into fertile agricultural plains. A classically Socialist-Realist narrative of an individual's 're-education'. Zhenia, a hapless idler, arrives with a band of enthusiastic young Konsomol members to build a new town in the steppe. Although his dream, like that of all the young participants, is 'to become a tractor driver and a hero', he isn't prepared to work for the honour.

A progressive agronomist fights with a conservative collective farm chairman.

Nadya Vakhmistrova, the daughter of a collective farmer from the Volgo-Don agricultural artel, works honestly and conscientiously on her collective farm. But then, like all the young people in the country, she hears the news: the party is calling on young men and women to develop virgin and fallow lands. Nadya, a member of the Komsomol, believes that her place is where the party calls her. But her beloved, Grigory, the collective farm foreman, does not share this decision. He is overcome with doubts: is it worth leaving his native village if he is needed here on the collective farm; wouldn't it be better to get married and build a personal happiness here? But Nadezhda is adamant. She leaves, leaving Grigory behind...