Ha Yee-Chau

Diary of a Lady-Killer is a murder mystery mixed with erotica. Each time a local playboy has an affair, the lady shows up dead, making him the prime suspect.

A mystery caper of devilish fun, Temptress Of A Thousand Faces proves a femme fatale can match any man in wickedness. A mysterious thief has been committing crimes across the city. Always disguised and ever elusive, woman detective Chi Ying cannot find any clues for a good lead. But her reporter boyfriend Yu Ta is always supportive and understanding. Reversing the standard role stereotypes, it is the man here who then becomes the damsel (or dude as the case may be) in distress. Constantly frustrating her police woman foil, the temptress manages to make a game of outwitting her nemesis.

Three life-long friends move to Hong Kong for college. Tao Chi struggles in her relationship with the bumbling Kuo Chi-Hsiung, while her two best friends are caught up in the schemes of an amoral lothario.

Spring Blossoms is a parable about the Chinese youth culture and what's important to the younger generation when it comes to romance. It starred a new wave of seventies, Shaw's beauties, Lily Li, Shu Pei-pei and Essie Lin-chia as single women looking for love. It's a triple-decker romantic bus ride on a road to nowhere speeding toward a low bridge.

Two broke and incompetent best friends try to find employment, lodging, and love in Hong Kong.

Su Fen, a young and frail girl, looked forward to her wedding with her fiancé, Li Kuo-liang. The happy couple's bliss was cut short when war broke out. Kuo-liang was summoned to fight at the front lines. In his absence, Su Fen discovered she had tuberculosis.

The lovely Li Hsiang-chun stars as a poor beauty who is drugged, ravished, lied to, locked in a burning store room, left to drown, and chased by sword-wielding ruffians, among other things. Her only hope is her betrayer's new wife, played by the strong and sensual Ivy Ling Po. Dawn may come, but the questions is: will it be too late? Director/writer Kao Li shows both restraint and sadism in this historical melodramatic tearjerker.

The film tells the story of Xing Yonghui, a rich girl who has fun with her painter boyfriend Du Shaohua and her classmates. Chen Xiaoping and Guo Dawei fall in love and want to elope, but they are prevented from doing so; Du Shaohua and Li Zhongting fall in love with each other over a painting, causing Xing Yonghui's unhappiness, and Xing Yonghui crashes a car into a rock and wants to die together, causing serious injuries to Du Shaohua and Li Zhongting; Xing Yonghui's suicide is prevented by her shame, but Li Zhongting does not care about the past suspicion, and the two of them recover from the injuries and perform with their classmates on the same day as they had planned to do so.

The tragic love triangle of early 20th century Peking Opera star Chiu Hai-tang, his beautiful stage partner, and the warlord who forces himself between them, has been a favorite with Chinese audiences for decades.

The year is 1937, just prior to the Japanese invasion of China. Painters Ju Rui and Lao San stumble upon He Hua, a woman sold into the sex industry at a local brothel.