
Shangguan Yunzhu was a famous Chinese film performance artist. During the Anti-Japanese War, he was mainly engaged in stage performances, and played important roles in many dramas.
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Xiaoman and his younger sister Xiaojia picked up a curtain puppet named "Little Bell" on the road. The younger sister Xiaojia considered that Little Bell might still have performance tasks, and suggested returning it to the puppet troupe immediately.

In pre-revolutionary China, two young girls, Chunhua and Yuehong Xing, rise through the ranks of Chinese opera, but with their artistic success comes a new series of personal and social challenges. After they're sold to a Shanghai opera and the revolution dawns, Yuehong radicalizes and devotes her career to politically progressive performances, while Chunhua flees to avoid turmoil. As the world changes around them, they fight to maintain their friendship.

No plot available for this movie.

An idealistic youth moves to the countryside in search of a purer, more honest society, but finds injustice even in his remote village.

A critical hit during one of China’s most politically charged periods, Zheng’s follow-up to his 1959 anniversary epics merged Soviet-style socialist realism with his own breakthroughs in film technique, specifically his use of continuous camera movement in the spirit of traditional Chinese scrolls. Tractor-kino at its finest, the film revolves around two rural lovers—one struck with a deadly disease—and their eventual survival thanks to socialist medical advances.

It is policeman Ma Tianmin’s day off, and his chief’s wife has fixed him up with Liu Ping, a young woman she knows. But, on his way to keep the date, Ma, who embodies all the qualities of an exemplary member of the new communist society, stops many times to help people in need. In a Shanghai fully involved in the Great Leap Forward, will the kind-hearted socialist hero get the girl?

Steelworker Ding Da-gan suffered severe burns in an accident. The victim's condition was almost hopeless, but people from all over the country rallied to save Ding Da-gan's life, and death receded.

The life and work of Chinese bacteriologists. The film is based on the theme of profound psychological changes in a person's character, who, under the influence of many factors of life and situations, has to change his view of the world and science. One of the characters, Professor Huang, is shown in the process of development and formation. His character is vivid and memorable. If at the beginning of the film the young scientists seemed insufficiently serious to Huang, and he regarded all their aspirations to enter science as a sign of their lack of understanding of the complexity of science and their responsibility, by the end of the film Huang already sees in the young graduate students courage, daring, and a desire to achieve an active intrusion of science into life. The theme of friendship and mutual respect among scientists united by a common goal—serving the people—plays an important emotional role in the film.

Soldiers stay in Hainan Island and fight Japanese invaders in harsh conditions.

Hope to the World
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