Arthur Rigby

Crossroads to Crime is about the investigations of a police constable (Anthony Oliver) who, working undercover without support from his colleagues, confronts and brings down a gang of vehicle hi-jackers.

Scotland Yard detectives attempt to solve a spate of safe robberies across England beginning with clues found at the latest burglary in London. The film is notable for using a police procedural style made popular by Ealing in their 1950 film The Blue Lamp. It is known in the US as The Third Key.

Newspaper reporters compete with London police to solve a murder.

Inspired by the real events of the attempted heist at Heathrow Airport in 1952, a criminal tricks an old friend into giving away the location of a shipment of gold bullion so he and his gang can steal it.

Canadian ex-serviceman Bob Regan returns to Oldchester, the English town where he was posted during the war. Meeting up with his friend Mike, now manager of the local football club, he discovers that Oldchester are desperate for promotion as they stand to inherit £25,000 from recently deceased supporter Wallace Hammond if they make the Third Division a situation that Hammond's devious nephew finds intolerable...

'Rocks' Owen, the well-off owner of a car-hire business, is found murdered; the last place he was seen alive was the Blue Parrot nightclub. Scotland Yard go in to investigate, with the help of a visiting American detective and a nightclub hostess who may not be all she appears to be.

P.C. George Dixon is a long-serving traditional copper who is due to retire shortly. He takes a new recruit under his aegis and introduces him to the easy-going night beat. Dixon is a classic ordinary hero but also anachronistic, unprepared and unable to answer the violence of the 1950s.

Eddie Marston is wealthy and kind, but his affairs are rapidly descending into chaos. Who can help him?

The film hinges on the love triangle between a young aristocratic lady on the run (Cleonie, played by Hazel Terry), the murderous Varennes, Citizen-Deputy of the Revolution who saves her by disguising her as his nephew (Nils Asther) and finally the Marquis of Corbal of the film's title, played by Hugh Sinclair.

An impoverished team of composer and songwriter try to secure financial backing for their new musical, with the assistance of a struggling actress working as a housemaid.