John Cronin

A four-part filmed presentation of Staging The Treaty by ANU Productions - a live recording of the long-form theatre performance re-staging the Dáil Debates of (1921–1922) at the original location where they took place in Earlsfort Terrace. Based on adaptation of original transcripts by Theo Dorgan, directed by Louise Lowe in 2022 and filmed by Tiny Ark. INTO THE MAELSTROM (161 mins): DAYS 1–4. The Plenipotentiaries have arrived back to Dublin from London to present the Treaty for ratification by Dáil Éireann. A bitter argument brews with De Valera, Arthur Griffith and Michael Collins.

A four-part filmed presentation of Staging The Treaty by ANU Productions - a live recording of the long-form theatre performance re-staging the Dáil Debates of (1921–1922) at the original location where they took place in Earlsfort Terrace. Based on adaptation of original transcripts by Theo Dorgan, directed by Louise Lowe in 2022 and filmed by Tiny Ark. THE TITANS (191 mins): DAYS 5–8. The Dáil is now in Public Session. Arthur Griffith proposes adoption of the Treaty, De Valera opposes this.

A four-part filmed presentation of Staging The Treaty by ANU Productions - a live recording of the long-form theatre performance re-staging the Dáil Debates of (1921–1922) at the original location where they took place in Earlsfort Terrace. Based on adaptation of original transcripts by Theo Dorgan, directed by Louise Lowe in 2022 and filmed by Tiny Ark. THE PURGE (99 mins): DAYS 9–11. As the Debate unfolds, key figures outline what is it stake. Former comrades are turning into bitter enemies. Chaos is threatening on all sides.

A four-part filmed presentation of Staging The Treaty by ANU Productions - a live recording of the long-form theatre performance re-staging the Dáil Debates of (1921–1922) at the original location where they took place in Earlsfort Terrace. Based on adaptation of original transcripts by Theo Dorgan, directed by Louise Lowe in 2022 and filmed by Tiny Ark. THE BALLOT (140 mins): DAYS 12 & 13. Attempts to find common ground have failed. De Valera announces that he proposes to resign as President. Griffith calls, in an impassioned speech, for the Treaty to be passed. The vote is finally taken. The Dáil has spoken, but there will be no peace.

In 1847, when Ireland is in the grip of the Great Famine that has ravaged the country for two long years, Feeney, a hardened Irish Ranger who has been fighting for the British Army abroad, returns home to reunite with his estranged family, only to discover the cruelest reality, a black land where death reigns.

Quan is a humble London businessman whose long-buried past erupts in a revenge-fueled vendetta when the only person left for him to love – his teenage daughter – dies in an Irish Republican Army car bombing. His relentless search to find the terrorists leads to a cat-and-mouse conflict with a British government official whose own past may hold the clues to the identities of the elusive killers.

An ensemble of mourners travel in their cars to the funeral of an Irishman who took his life in a car.

A shop assistant discovers her megalomaniac boss is selling human flesh to his starving customers.

Martin Lawrence plays Jamal, an employee in Medieval World amusement park. After nearly drowning in the moat, he awakens to find himself in 14th century England.

Davin McDerby is a handsome, irresponsible slacker who arrives in Montauk Long Island for a summer of fun. He has no intention of working too hard and every intention of enjoying himself as much as possible while simultaneously escaping the pressing problems that await him back home in Ireland. Over a summer of car-jacking, pool-hopping, and tequila-drinking Davin and his new found friends discover that they have affected one another causing them to re-evaluate their lives.