Naian González Norvind

A young couple from the US, struggling with their marriage, decides to move to Mexico. As liberal artists, they seek inspiration and freedom in a new country ready to be discovered. But the reality is far from what they are imagining.

Corina is 20 years old and does not leave her house except to work in a publishing house located in the neighborhood where she lives. After making a serious mistake with the end of the company's most famous book saga, Corina must overcome her fears with the help of Carlos and embark on a journey in search of a mysterious writer to save her job and that of her colleagues.

Nora is about to turn 40 and can't stop wondering: what's the point of all this? What was meant to be a celebration turns into a series of unfortunate missteps that push her toward self-discovery. With open wounds, unspoken desires, and a burning past, Nora confronts her family history, death, unemployment, the collapse of her polyamorous relationship, and the urgent need to redefine love, her sexuality, and what she truly wants from life.

Six women share a common «friend»: madness. It visits us all, pushes us to decide reality, to make daring decisions and to transform our lives.

Twenty years have passed since those two apartments in the heart of Mexico City were the battlefield of a war of the sexes between Ana, Carlos, Andrea, Miguel, Tomás and María. All that is left of those apartments are memories and the image of Tomás' dead body at the bottom of the elevator shaft. Their lives have changed, their families have grown and new and unexpected characters have come to unsettle their daily lives and trigger a chain of events that will make them realize that modesty has been replaced by public disclosure; sex is only an app away; but love...love is still something elusive that everyone in today's banal and chaotic world is seeking.

Amid the Covid pandemic, filmmaker Michel Franco obtains a special permit to travel to Italy with his cast and premiere his film New Order at the Venice Film Festival. This documentary captures the challenges and triumphs of that extraordinary journey.

Drawn to the expressiveness of hip hop and breakdance, Esther (Naian González Norvind) tests the boundaries of her restricted existence as a young married woman in a Hasidic community in 1990s Crown Heights.

A filmic reflection on the way in which cinema taught us to live romantic love during the 20th century, building an impossible ideal within our personal relationships. Cinema taught viewers how they had to see it, worse, it showed directors how they had to film it. Based on quotations from early cinema films, Contar el amor discusses the role of sex and violence as central themes in our increasingly broad but, at the same time, less pluralistic audiovisual universe.

In the near future, a popular uprising in Mexico City interrupts a wedding held at the home of a wealthy family. After the riots have been quashed, they discover the bride has gone missing and plea with the military to help locate her.

Fragments of a meteor crash in Mexico and United States. Thirteen stories in different spaces and times happen in places of collisions .