Fifi Young

Hamidah, who is Budi’s childhood friend and his sweetheart as a grown up, has to leave him to treat her illness. Left without any news of his love, Budi is disappointed and becomes a reckless man who plays around with women and goes drinking in nightclubs. Then he becomes a police fugitive after a fight with another man

Bram and Nona marry without her parent’s approval, as she is already arranged to marry Paul. The life of the husband and wife is only supported by Bram’s small salary so they live in the slums, which is realistically depicted. They also have problems with Nien, Bram’s old unmarried sister.

Irma, who thinks Bobby is shy, ignores Bobby's feelings for Irma. Until Irma realizes Bobby's feelings and gets involved so much that her school falls apart.

Bing works as a radio broadcaster in a private-owned radio station, “Undur-Undur”, with Benyamin S. His work is causing relationship problems with his wife so he finds relief with one of his fans, Anna Mathovani. Bing helps her debut as a singer and realises his mistake when her boyfriend shows up. Luckily his wife misses him and they reconcile. The appearance of singers and famous groups in the film seems to be intended as a selling point.

Mbok Puspo’s cafe, at the edge of Kalimas, under Jembatan Merah or “Red Bridge”, is a meeting place for many. Mbok Puspo also sells rags for additional income while her adopted daughter, Sudiasih, runs the cafe and is the shining beauty of the place. The regulars are Ngawang, a small time thief who fails to make his wife happy; Kenanga, who becomes a prostitute to spite her husband; Siswanto, a student who does not have the courage to confess his love to Sudiasih; Pungguk the painter; a civil servant, and a postman. The love stories between Siswanto and Sudiasih; and Ngawang and Kenang are the central plots. Seeing Siswanto and Sudiasih’s love, Ngawang and Kenanga also find each other. Meanwhile, Mbok Puspo is in a dilemma when she receives a letter from her child, Sri Bidari, who was adopted by a rich family.

Rubia, a rich widow who has a granddaughter named Rina, is terrorized repeatedly by the shadow of a man holding a knife and wearing black gloves. She reports it to Inspector Arifin who starts to investigate.

Doel, a child growing up in a Betawi society, who is trying to break the pragmatism of the society that considers the Betawi people to be conservative by getting as high an education as possible. After his father's death in an accident, he and his mother becomes a seller to survive.

The story revolves around the Minangkabau Hanafi and his friend, the half-French half-Minangkabau Corrie du Bussée. Although Hanafi is Minangkabau and a Muslim, he considers European culture to be superior and has many European friends.

A young man forgot his roots after spending his childhood at sea.

Drawing from the novel, lenong (play) and the previous film (Njai Dasima I), this new film version has heightened erotic scenes considered the boldest for its time. But as mentioned by the director, the eroticism is meant to reveal the psychological aspects of the characters. Unlike the previous version, that mainly highlights conflict between love and witchcraft, this one features social and psychological conflicts. For example, how Dasima feels like an outsider with Edward Williams’s friends, or how she prefers leaving their house to live with her maid in the village. It also shows more background of the Samiun and Hayati characters - Samiun is a black market trader with a lot of debts and Hayati is a woman obsessed with gambling to get rich. When his debts are due and he is unable to pay, Samiun asks his friend, Puasa, to “rob” him while he is returning to their village with Dasima.