Stanislava Coufalová

The fantastic world of little Thomas, who conjured up beauty and happiness.

A bachelor named Faun with a Don Juan complex, seized with a hypochondriac's fear of the ineluctable approach of death, enters a race against time's passage. Faun's sexual love is imbued with the narcissistic vanity of a self-satisfied bacchant who even towards old age can't manage to forgo his lifelong pose as an irresistable seducer of women. He desperately searches for meaning in superficial, fleeting sex.

Little kids, little worries, big kids, big worries, sighs many a parent often. This is no different for the mother of eighteen-year-old Frantisek, who has just graduated from high school without much glory and is about to start his first job. Fandy is still full of boyish dreams, yearns for a career as a rowing representative, competes with a friend for the favor of an admiring girl and is generally stubbornly opposed to taking life seriously.

No plot available for this movie.

A short film about Prague, Prague residents, and the beginning of the weekend.

A budding teacher comes from Prague to the South Bohemian district town where her fiancé Jakub, a young promising engineer at the local paper mill, lives. Petra is getting to know her new colleagues at school and the children in her new class, and is practicing hard with the Komenium music group, whose members she has known since her studies. She also gets to know Jakub's colleagues and the director of the paper mill, to whose position Jakub would like to be appointed after his retirement. It is this desire for a high position that leads Jakub to behave and act in a way that Petra cannot approve of.

It is 1883 and Josef Hibes, a social democrat, is organising a strike of textile workers. The main demand is a reduction in working hours...

A red haired Petra is not your ordinary girl - in addition to her regular "girly" interests she's also a goalie in boys football team.

The future communist journalist Julius Fučík had a stimulating childhood and youth in a working-class environment, when his moral maturity was already showing. The authors of the film recall that the young Julek was a star of the suburban operetta scene, and in three episodes they depict him both in his early childhood and already at the gymnasium, when the outbreak of the World War shaped his determination.

A twelve-year-old is looking for his biological parents after discovering the fact that he was adopted.