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Soon after learning of the death of his mother Pérola, Mauro returns to his old family home in Bauru (São Paulo, Brazil). A look back into his mother’s peculiar habits, her illusions, sense of humor, spirituality, and desire to control all things... with the love and tenderness that only distance and time allow. A reunion between mother and son: their conflicts, conversations, and dreams of a better life all converge in constructing a swimming pool in their backyard. It is a portrait of an ordinary family that fights, makes up, celebrates, cries, and carries on, full of stories just like any other.

To overcome the fear of losing his ill and aging grandfather, a forensic photographer needs to discover the truth behind the alleged suicide of an elderly man.

The life story of journalist and writer Otto Lara Resende. Paulo Mendes Campos, a personal friend of Otto, provides intimate insights into the artist's life. The documentary's central theme is the interview published in 1975 in Manchete magazine, celebrating his centennial.

Manfredo seeks out a psychiatrist. The doctor insists on knowing his past, but there is something that Manfredo doesn't want to reveal and he abandons treatment. Dr. Pink starts to chase Manfredo and his life turns into hell.

A film that chronicles the lives of Tatiane, who leaves São Paulo trying to rebuild her life; Odair, a young man exploring his sexuality after leaving his parental home; and Henry, a Haitian immigrant struggling to survive amid Brazil’s poverty. As chaos unfolds in Rondônia, their paths will cross.

The film recreates the Roosevelt-Rondon Scientific Expedition (1913-1914), commanded by the Brazilian colonel Cândido Mariano da Silva Rondon and former US president Theodore Roosevelt. Together, they crossed the Pantanal and Amazon Rainforest to explore the mysterious Doubt River.

William Shakespeare's classic tale of impossible love between two young people from rival families, adapted to the context of Brazilian popular culture by director Gabriel Villela. Considered a milestone in the history of Grupo Galpão and one of the most significant plays in Brazilian theater in the 1990s.

Ângelo arrives at his grandmother's house in Minas Gerais. There, a small chest full of coins and an enigma were discovered, supposedly left by a priest who, 200 years earlier, would have hidden a handful of diamonds.

Continuing the exploration of the thin line between truth and performance, Eduardo Coutinho turns his attention to the drama generated during rehearsals for the Galpão Theater Company’s performance of Chekov’s The Three Sisters. As he shoots scenes from the play, Coutinho attempts to capture the very moment in which reality becomes fiction and vice versa—whether through the actors’ bodies and words or in backstage scenes of a performance that will exist only on film.
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