Ivars Krasts

Self-proclaimed cryptocurrency expert Fatso is a middle-aged curmudgeon frittering away his days with video games and conspiracy theory videos. Obsessed with the concept of eternal life since childhood, Fatso experiments with various quack theories in the hopes of becoming immortal, despite his miserablism. When Egons and Carlos inexplicably appear outside of his remote woodland trailer, asking for an invitation inside, they bring glad tidings that he has recently been selected as “the chosen one.” Appealing to his nature as a “cowardly, passive, antisocial sluggard,” who has squandered his humanity so thoroughly that the transition to undead would prove practically seamless, the friendly duo make promises of a new, more fulfilling life as a vampire.

In a greyish office building workers turn to ritualistic actions to overcome ever-increasing challenges.

An insecure millennial woman pursues her dream whilst learning how to adult. While being preoccupied with life tasks at hand she can barely handle and also severe depression, main character of this film Marta (30) keeps dreaming about making films, drawn to the healing power of storytelling, but not having the courage to act these dreams out; sometimes she is too scared to even pick up the phone. Marta’s life seems to sway both in comic and tragic directions: it’s sometimes a mix of ultimate freedom, sex, drugs, friendship, laughter, alcohol, lots of alcohol, music, honesty and love, and sometimes the reality Marta avoids to face becomes so brutal she can’t take it anymore. Through the course of the film Marta learns there is an unavoidable question that at some point becomes inevitable for almost every filmmaker: if you really want to direct films, can you first direct yourself out of depression?

In a cabin in the woods, an eerily pale woman holds a mysterious casket, a dark liquid dripping from her fingers. Inside a car wash, a driver looks for dead ones on his tablet. What’s the connection between them?

While the whole world is overwhelmed by revolutions of different shades, the leading tandem of the Small Theater - Ivars and Armands is working on a new historical play set in 18th century France called ‘Revolution’. A week before the premiere the favorite of audiences and critics Armands receives a tempting offer to pursue his career at the Grand Theater. Betrayed by his best friend, Ivars gradually loses touch with reality. Themes of the play ‘Revolution’ starts to intertwine with Ivars personal life until he becomes unable to distinguish truth from fiction and that brings the Small Theater closer to an inevitable catastrophe - the act of terrorism at the evening of the premiere.

After hearing many success stories about direct sales companies, Roberts decides to try his luck in selling vacuum cleaners door to door. On the first work day he finds out about the possible bonus in case of at least 2 successfully closed sales deals. At a glance the task seems quite easy. Once Robert faces the reality in a block of flats and encounters its peculiar inhabitants, the task no longer seems to be so simple.

Laine is a college girl from a bland middle-class suburb in Latvia. As Laine’s father distances himself from his crumbling marriage and his family, Laine is unable to cope with the separation and discovers the edgy Riga party scene, where she falls in love with seasoned raver Gunda. Going from rave to rave, the girls journey into a drug-fuelled underworld of anarchy, freedom and exploration.

A runaway bride, a young peasant, mysterious illusionists and a manic investigator become entwined in a murderous affair at a Baltic German baron's manor.

A bureaucrat who has just declared himself as a new political force has disappeared… in a canteen; police are investigating. Combining the absurd and black humour, a harsh and ironic reflection on civil servants, cops, and contemporary art.

The love story of sixteen-year-old Arturs is interrupted by the First World War. After losing his mother and his home, he finds some consolation in joining the army, because this is the first time national battalions are allowed in the Russian Empire. But war is nothing like Arturs imagined – no glory, no fairness. It is brutal and painful. Arturs is now completely alone as war takes the lives of his father and brother. Also, no progress is made in the promised quick resolution of the war and timely return home. Within the notion that only he alone cares about returning home and that his homeland is just a playground for other nations, Arturs finds strength for the final battle and eventually returns home to start everything from scratch, just like his newly born country.