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July 1956. Álvaro Cunhal arrives at Peniche Fort and is placed in the most modern and secure prison wing, considered escape-proof. Despite the tight control exercised over the prisoners, Álvaro and his comrades manage to organize a small commune and provide support to the most vulnerable detainees, while looking for a way to escape.

After a failed Interpol operation, Tom Fährmann, human rights activist and escape agent, is tasked with finding Sofia Moreno, a whistleblower who has disappeared in Lisbon, and bringing her to a safe house on the Portuguese coast. When Fährmann realizes that Sofia's eight-year-old son Noa is in the hands of a hacker organization that the programmer wanted to fight with her filter program against fake news, his assignment turns into a rescue mission in which Fährmann can no longer trust anyone.

Miranda do Corvo, 1933. Tomé, a young worker haunted by guilt over his betrayal, is chosen by his colleagues for an important mission in the union's struggle against the Estado Novo. Faced with this moral challenge, he confronts not only the real dangers of police repression, but also his own demons.

At the age of 71, a highly regarded writer, José Cardoso Pires, suffers a major stroke and loses his memory and the ability to relate to the rest of the world. Everybody seems to defy the famous author to write another novel that recounts this adventure telling his "last story", the most conclusive of his career, the one of his accidental journey to the clear shadows territory.

On April 25, 1974, a man walked alone in Largo do Carmo. He knocked on the GNR military barracks door and entered, unarmed and without any escorts. Inside, the Government’s chief, Marcelo Caetano, waited, surrounded by the military and the people. The man who stared at him that afternoon and demanded surrender, guaranteeing his safety, had just led Santarém’s Artillery 1 regiment in taking the capital. Without firing a single shot, he managed to overthrow a regime that was over 48 years old. That was the last step to take and he took it, without hesitation, becoming the unavoidable figure of the day that marked the beginning of democracy in Portugal

This remake of the 1940 film with the same name tells the story of a theatre company, its men and women in love, mistakes and misunderstandings. Chico loves Tatão, who is courted by Artur. Graça loves Chico, but doesn't know he loves Tatão. Santana writes a play for the Grandelinhas that will serve as a guide to Chico passion and convince Tatão that he is a rich count. The play is then staged and they all end up in prison.

An unlikely team of cops and a student, live a crazy day, meet the most ridiculous characters, and unmask a drug trafficking operation with disastrous consequences not just for the city, but for the whole world.

Inspired by Bernardo Santareno's “The Lugger” and “In the Seas of the End of the World”, this is the story of a captain of a codfish lugger, fishing in the banks of the Newfoundland who decide to risk sailing to Greenland in search of more fish. Along the way, he has to face storms, crew revolt and deal with the best and the worst of humanity when tested in extreme circumstances.

Since childhood, Isabel remembers her mother's recurring request: to be cremated. And now that the day has come, with her husband Daniel at her side, it is the mother's voice that she hears, which surprises her because the mother is there, in the urn, about to be cremated, as she always wanted. And since then, she has been making herself heard, accompanied by a letter left in her will, with precise instructions, which, being drastic, may end Isabel's marriage.

The act of creation is always bold, courageous and unique. Several times the expected result is not achieved. So we have to try again and again and...
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