Pedro Maratea

With his own money, Pappier produced this ambitious adaptation of Manuel Gálvez's "Miércoles Santo", whose release was delayed for three years due to political reasons. When it finally came out, it bombed, but its formal originality was mentioned even in unfavorable reviews. Later, it became a cursed film, impossible to see due to lack of prints. To date, it remains lost in great part.

The life of conscripts who live in a barracks.

The plot reflects the figure of Pascual Contursi, tango poet. In love with a singer, he leaves his wife and son to go with her. Some time later, the singer leaves him and he composes the tango that gives the film its title.

Two sisters struggle to get out of a Buenos Aires suburb, where debts with a loan shark have kept them apart. But soon the inhabitants of the neighborhood forget their differences before the appearance of an epidemic.

This short film is the most famous Peronist propaganda piece, most likely due to the expressionist visual power of Pappier's imagery. It is based on a poem by José María Fernández Unsaín in which a couple of workers (Fanny Navarro and Pedro Maratea) compares a past of explotation and misery with the new Argentina of Peronist social justice.

In 1812, the Argentine people and the army of the north resist the royalist advances.

No plot available for this movie.

A thief commits a robbery and is seen by a showgirl who becomes a witness to the crime. The man finds her and forces her to help him take what he stole to Rio de Janeiro. With no other way out, she is sent on a boat to Brazil by the thief. On board, the showgirl meets a doctor with whom she begins a romance while the criminal falls in love with her.

No plot available for this movie.

A singer takes possession of a ranch and receives the mission to avenge his ancestor Santos Vega, that legendary payador, and defeat Juan Sin Ropa.