Gilles Cohen

Under immense pressure and amidst competition with a duplicitous colleague, Stan, the ambitious and very serious operations manager of a construction firm reaches breaking point when he learns that he’s been unfairly laid off by the company’s tyrannical CEO. He impulsively steals one million euros from the company’s vault, tosses away the key to the safe and hastily flees with his fiancée Marine… Before discovering that his termination was a mistake, and he is actually being promoted! Stan has until sunrise to return the money to the vault. But having thrown away his key, and with the only spare inside the CEO’s own apartment, he must reluctantly enlist the help of Hippolyte, Paris’s most unpredictable locksmith. The night promises to be full of twists and turns!

A father and daughter : Samuel, a journalist, and Ava, his intern, cover the murder of a girl attacked with acid for their magazine. Struck by the brutality of this murder, as well as by his daughter’s interest in the case, Samuel decides to conduct an independent investigation, without the knowledge of his editorial staff, and discovers disturbing similarities with the murder of another woman...

24 December 1916. A truck carrying mail is stopped at a German checkpoint and riddled with bullets. Inside, a man lies dead. Another man and a woman, on a postal mission, claim innocence in the death of their companion and their presence in enemy territory. The radio that had been guiding them had apparently cut out, leaving them stranded in no man’s land. And so, on Christmas Eve 1916, a cross- examination begins to uncover the real reason why enemy postmen and couriers are in the trenches.

11 years ago, inspector Malik couldn’t solve a kidnapping case and a little girl died. Now with only a few days before the crime gets classified, he decides to reopen the case. Malik owes it to the mother and to himself. As he digs into the past, a child is kidnapped again. The pattern is the same one as a decade ago, it’s no coincidence. Malik knows he has a few days to make things right and to bring justice.

Documentary about French actor Michel Simon.

The true story of Maureen Kearney, the head union representative of a French multinational nuclear powerhouse. She became a whistleblower, denouncing top-secret deals that shook the French nuclear sector. Alone against the world, she fought government ministers and industry leaders, tooth and nail to bring the scandal to light and to defend more than 50,000 jobs.. Her life was turned upside down when she was violently assaulted in her own home... The investigation is carried out under pressure: the subject is sensitive. Suddenly, new elements create doubt in the minds of the investigators. At first a victim, Maureen becomes a suspect.

1793, French Revolution. For three years now, Charette, a young man retired from the Royal Navy, has been back home. In the country, the anger of the peasants rumbles: they call on the young retiree to take command of the rebellion. In a few months, the idle sailor becomes a charismatic leader and a shrewd strategist, bringing in his wake peasants, deserters, women, old people and children, of which he makes a formidable army. The fight for freedom has only just begun.

Samy lives happily with his wife, Alice, in a poor urban housing project amongst friends and neighbours. For his son’s birthday, the richest man in France throws open his grand department store, offering the boy whatever he wants. Alexandre chooses Samy, the night watchman, as his new toy…

Lacking inspiration, a composer isolates himself at a desolate house, on a small island, in Brittany. There he finds an old piano and receives visits from people who won't let him rest.

In eight films, Jacques Audiard has renewed French cinema, without alienating either the critics or the success. It is only at the age of 42 that he starts directing, after having been an editor and a scriptwriter. In 1994, he directed his first film, "Regarde les hommes tomber", whose conflicting shooting was an ordeal for this misanthropic beginner. It was with "Sur mes lèvres", in 2001, that he forged his cinematographic language: contained lyricism, deliberate imperfection of images, ellipses plunging the audience into a maelstrom of sensations. With each of his films, Jacques Audiard intends to renew himself, at the cost of challenges and doubts always more vivid.