
Anna Prucnal (born 17 December 1940) is a Polish actress in both cinema and theatre, as well as a singer. Prucnal was born in Warsaw, Poland. After her father, a surgeon, was killed by the Nazis during World War II, Anna and her sister were raised by their mother, who was of noble descent and related to the 18th-century King of Poland Stanislas Leszczyński. After studying piano and lyrical song, ...
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"L'Artifice et le factice" is the episode that covers the period from January 1, 1988 to December 31, 1988 of my filmed Notebooks.

During the war of Indochina, Claire tries to maintain the link between her parents.

A man asks himself about the image of women who are offered for his gaze. A documentary about the image of women in fashion, film, and life.

The story is about a woman who is going to Trieste (a city in Italy) to search for informations about a writer who has never written.

A highly intelligent teenage girl has an affair with a 40-year-old man.

In a quiet, lonesome Polish city, a neglected ten year old girl kidnaps a pampered toddler and pretends to be her mother.

Anita is a barmaid at the center of a community of street preachers, prostitutes, dealers and users. When a beloved friend (and young drug dealer) is caught by narcotics agents, Anita takes it upon herself to score for his struggling clients.

The charismatic Snaporaz encounters an alluring woman on a train and pursues her through a forest. He ends up at a hotel populated by women gathered for a feminist conference, where he is an unwanted presence. Snaporaz soon discovers he’s entered a phantasmagoric world where women have taken power.

Catherine (Juliet Berto) is the temporary head of the family while her husband, whom she loathes, is away fighting in the war. Her widowed sister-in-law Suzanne (Anna Prucnal) lives with her, and after awhile it becomes apparent that Catherine loathes her as well. The children in the house are all boys -- Catherine has two sons, twelve and thirteen, and Suzanne also has a twelve-year old. While the relationship between Suzanne and Catherine is coming to a head, Catherine is having an affair with an army officer, and the boys in the family are planning a musical performance for everyone. The crescendo may be barely audible at the beginning, but it builds up to a tragedy at the end.

They are in their thirties. They have now children, an appartment, a work, cars... and still have loves, dreams and passions. They will meet each other, leave each other, under the eye of their kids.
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