Raymond Zrike

Someone loads a camera. At the same time, a lobster is discovered. Elsewhere, a person crosses the street. Sometime around then, a phone is answered. Then, a body goes missing. A tale of two streets and the violence of filmmaking.

A film contemplating movement, stillness, hands, trees, and the color orange.

John Person tells the story of how he fell into his coveted job by describing the life of Anatole, the man who occupied the position originally and cherished nothing more in his meager existence than his overcoat.

A family talks.