Germán Bracco

A graffiti artist and a punk band singer meet amidst a profound social crisis. With revolutionary and idealistic visions for a fairer world, they bond over music and street art, using them as their weapons. Innocent and determined, they demand justice, but their defiance attracts the wrath of three corrupt policemen. After beating him and kidnapping her, they ignite the unimaginable fury of someone who has nothing left to lose.

They're fierce, they're iconic, they're back — and they're totally lost. A boyband seeking a renaissance must navigate a world they barely understand.

After years without a proper vacation, a debt-ridden family heads to San Antonio, Texas, with plans to spend a big wad of cash -- if only it was theirs.

Chava, a 17-year-old boy who has a secret admirer, feels more attracted to boys. When leaving his school in a rainy day, Carlos offers him a ride, and so their adventure begins.

While blind drunk, two unemployed millennials entrepreneurs drunkenly post a video pitch about their revolutionary app to a crowdfunding site. When the app catches fire and they accidentally raise millions of dollars they actually have to create the app.

Kika is a teenager in full sexual exploration whose nude photos are shared throughout her school without her consent. While she is being judged, Kika will find a way to own the situation, making it clear that she is free to do whatever she decides with her body.

Teenagers’ leisure at full swing: a group of friends spend their holidays at parties, having sex, boozing, and partaking in any adventure that brings them a boost of adrenaline. As they use violence for entertainment and to fulfill their authoritarian fantasies, their adventures will show the cracks and the collapse of the perfect world they live in.

The fictional Father Ángel de la Cruz is based on Legion of Christ founder Marcial Maciel, whose long history of child abuse was not addressed until 2006 and only publicly acknowledged in 2009. But director Luis Urquiza chooses to structure his film through the largely uncomprehending, wondering eyes of 13-year-old Julián, who travels from the arms of his loving pastoral family into the austere, hallowed halls of the seminary. Singling out the boy as his intimate disciple, installing him in his palatial private quarters and redubbing him “Sacramento Santos,” Father Ángel begins Julian’s instruction into the mysteries of “perfect obedience,” whose cardinal rule is: Never question a superior’s actions.