Herbert Sand

The 16-year-old Umberto, who lives in an East German small town with his mother and his little half-sister Bianca, dreams of Pa-isch, the country to which Bianca's Angolan father returned long ago. Pa-isch, a verballhorn of the Portuguese word for country, is far enough to no longer have to see the changing men's acquaintances of his drinking mother. When the family moves to Hamburg, everything gets even worse. The mother professionalises her constant partner changes and becomes ill with all abundance. Umberto's flame Tschibo also turns out to be a prostitute. Umberto is full of nose. He steals a heavy machine and breaks up to Africa with Bianca.

While life in a provincial town in eastern Germany near the Polish border has virtually come to a standstill, a dynamic young entrepreneur, his wife, and a laconic, resigned dropout strive to make a new start. But their dreams of revitalizing the region with a train station bistro and spa business fade away in (self-)deception, hangovers, and small escapes.

No plot available for this movie.

A crime writer on a train to Berlin shares her compartment with a mysterious man who claims to be a cannibal. Initially intrigued, she tries to humorously dismiss his claim while her imagination sparks a new novel featuring Detective Rosa Roth, who investigates a similar case. As the journey progresses, the writer’s confidence fades, replaced by fear and mistrust. The man’s behaviour becomes more unsettling, especially after a young girl reports inappropriate comments from him. In the dining car, he claims to have eaten a fellow passenger and reveals his tools are nearby. Despite her fear, the writer is drawn to learn more about his methods, blurring the lines between her novel and reality. Ultimately, her fantasy merges with reality, leading to dire consequences.

During the Greek summer in the war year of 1944, a German military unit sets up camp on the plateau of Thebes. Armed with a 16 mm camera, the captain of the unit, a former professor for classical Greek philology, comes up with the idea to film the myth of Oedipus.

The life of Alexander von Humboldt up to his attempt to climb the Chimborazo in 1802.

This biographical film is set in 1937, with Fallada suffering the effects of living under a microscope. The film details his decline, as he is intermittently imprisoned and threatened in order to motivate him to write for the Fatherland. Even the attention of his kind, patient wife and loving children begin to feel oppressive to him. This is one of the few films to take a serious, in-depth look at the tribulations of a creative artist pulled in all different directions by the real world.

A story spanning three generations, from 1871 to 1945. When Gustav Wengler, a farmer’s son, returns from the Franco-German war in 1871, he goes to work for a precision mechanics and optical company, where he soon becomes a master craftsman. Wengler loyally promises the owner on his deathbed that his sons and grandsons will also stand by the company.

No plot available for this movie.

Everything changes for fifteen-year-old Heinz Stielke, a fanatical member of the Hitler Youth, when he learns that his father, who died as a war hero, was actually Jewish. Heinz is forced to leave school, loses his friends, and worst of all, his mother dies in a bombing raid. A kind-hearted police officer tries to get him a place at an orphanage in Thuringia, but on the way there, he is picked up by the SS and sent to a training camp.