Lino Musella

A man spends peacefully his days in hospital without too many worries. He has been hospitalized for a while but that condition seems like the best way to live his life, safe from everything and everyone, without responsibilities and problems of any kind. It feels really good in there and even if some of his ward companions feel trapped, for them he can also feel free like nowhere else. That precious routine runs smoothly until a new person is admitted to the same ward. She is a restless, angry companion, she accepts nothing of that condition, especially the unwritten rules. She is not willing to wait, she wants to leave that place better or even worse. She wants to live as she should or die, as happens to those who end up in there. He is overwhelmed by that fury, first trying to defend himself and then accepting something incomprehensible. That encounter will help him accept that if you choose to truly face your heart and your emotions, there is no possible repair.

1936, in the aftermath of the Ethiopian occupation by Fascist Italy, under the incredulous gaze of the inhabitants of the small town in the Italian province Abraham Imirrù, an ethiopian prince and guerrila fighter is being held prisoner in the local Podesta garden's aviary. But for little Emilio, local recently force enlisted and reality-dissociated Balilla, he is Sandokan, the literal Salgari's character ...and he will be his hero.

Lucio, the host of a popular radio show, is confident, charismatic, and holds progressive views. He is married to the beautiful Elena, who is insecure and emotionally dependent on her husband. Together, they form a harmonious blended family (which includes Lucio’s first wife and daughter) and have one child together: Blu, a 9-year-old who loves dressing in girls’ clothes and is allowed to do so—by both mom and dad—but only at home. When the school play comes around, however, Blu is determined to wear a Little Mermaid costume on stage. His parents, caught between their desire to support him and their instinct to protect him, find themselves confronting the limits of their open-mindedness. They embark on a journey of self-awareness and acceptance, joined by a diverse group of “Unicorn Parents” led by a compassionate psychologist.

It’s Ferragosto, Italy’s mid-August holiday, in a practically deserted hospital in Naples. Two nurses, Angelo and Salvatore, are on shift when a desperately ill patient is wheeled in. With his seasoned eye, Angelo knows at once that Mr. Caputo won’t last the night. Salvatore happens to loathe Angelo and decides to bet on the opposite outcome. The winner of the bet will nab the top holiday slot: Christmas vacation. Angelo takes up the challenge. From that moment on, Salvatore will spend the night trying to keep Mr. Caputo alive, while Angelo will play dirty to make sure he wins the bet. That night, it’s anything goes at their hospital, from the nurses’ cheap shots to doctors on cocaine and suspicious characters lurking in the ward.

No plot available for this movie.

Naples told, through the centuries, in an anthology: Dadapolis by Fabrizia Ramondino and Andreas Friedrich Müller. A city always full of ferment, culture but also contradictions. In the film, however, today's city is told through the eyes of about sixty artists who live and work between Naples and abroad. A kaleidoscopic story made up of performances, songs, works of art and dialogues that narrate the transformations of a city, which never before has turned out to be so topical.

Set during the summer of 1957. Ex-racecar driver, Enzo Ferrari, is in crisis. Bankruptcy stalks the company he and his wife, Laura, built from nothing ten years earlier. Their tempestuous marriage struggles with the mourning for one son and the acknowledgement of another.

The film tells, through the gaze of a child, the life of the survivors of the Amatrice earthquake who live in a tent city, in what could be called a new community.

An unlikely group of soldiers and courtiers led by Marcount Berlocchio and his new bride Bernarda take possession of a distant fief. But their castle is a decrepit dump and their villagers aren't willing to be ruled.

Princess is a young illegal immigrant from Nigeria who sells her body on the outskirts of a big city. Like an Amazon on the hunt, protected by her friends, she moves through a pinewood that stretches as far as the sea, an enchanted forest in which to find refuge, hide away from life and earn her daily bread. Every day, in order to survive, Princess has to steer clear of dangers and sentiments, follow the scent of money and dupe her clients. Her life is a succession of days that are always the same, one joins to another, without a break. Until one day, driven by an inner force to break the shackles of cynicism and exploitation, she quarrels with the friends with whom she shares the street and meets a man who wants to save her, but first she will have to save herself.