
Sadaf Asgari is an Iranian actress. She is best known for her performances in 'Disappearance', 'Yalda, A Night for Forgiveness', and 'Squad of Girls'. She won the Short Film Special Jury Award for Acting at the 2020 Sundance Film Festival for her performance in Sonia K. Hadad's 'Exam'.
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Bahram is a 40-year-old filmmaker who’s spent his entire career making films in Turkish-Azeri, none of which have ever been screened in Iran. His latest work, once again denied permission by the Ministry of culture, pushes him to the edge of defiance. With his sharp-tongued, Vespa-riding producer Sadaf by his side, he embarks on an underground mission to showcase his film to an Iranian audience, dodging government censors, absurd bureaucracy, and his own self- doubts.

A trans man and his partner travel to a remote Iranian village to face his estranged father and obtain documents that would permit them to live authentically, in visionary director Farnoosh Samadi’s bold queer love story.

Amir, a young Iranian, signs on with a fisherman on the rugged Caspian Sea coast in order to earn the money he needs to marry his sweetheart, Narges. But in so doing, he becomes entangled in the criminal machinations of caviar poaching. Piece by piece, a complex hierarchy is revealed in a parallel realm that becomes ever more constricting and oppressive, endangering Amir’s relationship with Narges as well.

Zaid, 15, lives near Kabul with his mother and sister. Between school, his friends and his hobbies, he seems to be flourishing in a city in ruins after the war. But when his mother tells him it’s time to get married, his ambitions crumble and the heavy secret of his freedom must come to an end.

A satirical take on the mundane absurdities of life in modern-day Iran, these nine vignettes illuminate the lighter side of enduring under authoritarian rule. Whether choosing a name for a newborn, graduating from grade school, getting a driver’s license, applying for a job, or seeking approval for a film script, if you live in Iran, you best come fluent in Orwellian discourse.

A complex and sometimes combative exchange at an Iranian broadcaster over a certain Hollywood blockbuster disguises deeper ruptures, in Farnoosh Samadi’s wry and subtly provocative drama.

Student Fereshteh has to hide her illegitimate baby for one night from her parents who turn up for a surprise visit. Her friend Atefeh helps her. They embark on an odyssey through Tehran during which they must carefully weigh up who their allies are.

The story shows a different point of view of Iraq's invasion since it's narrated by self sacrificing fearless women who reach the army fortress in order to bring back weapons and ammunitions to stand against the enemy.

Maryam accidentally killed her husband Nasser and is sentenced to death. The only person who can save her is Mona, Nasser's daughter. All Mona has to do is appear on a TV show and forgive Maryam. But forgiveness proves difficult when they are forced to relive the past.

Rona and Hamed are two young Afghans who are in love with each other. Searching for a better life, they have decided to immigrate to Europe but they have to make a big decision to make it happen, a decision that relates to their religion and beliefs.
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