Lara Vouk

In "Stealing the land", parents fight not only for a better future for their children, but also for their own egos. When a schoolyard game sparks a political debate in the kitchen, an evening of absurd conflicts, low blows and unexpected confrontations begins. The film unrestrainedly provokes, entertains and exposes the grotesqueness of a society where the lines between play, education and the real world become dangerously blurred and the rules increasingly confusing - for children and adults alike.

Ten-year-old Ida believes that the mysterious angelic singing resounding across the village graveyard is the only thing keeping her beloved Grandma alive. So she decides to join the school choir-even though she is absolutely tone deaf.

Inspired by a real event, the film follows 27-year-old Lara (newcomer Diana Kolenc), a paramedic intern who helps bring 30-year-old Kristijan (Vito Weiss) into the hospital, after he was brutally beaten on a Facebook live stream that was seen by 20,000 people and no one called the police. Although Kristijan is in a coma, Lara starts to receive video clips from his Facebook profile, showing unidentified persons watching him get beaten. She reports this to detective Borut (Jure Henigman, from A Trip and Dual), who starts an investigation. All the observers, who appear in the video clips, will become Lara’s nightmare in her real life. She soon realizes that she is also an accomplice in this horrible event.

A Slovenian horror short.

A Slovenian thriller feature.

Špela graduated in Art History and has never had a steady job. Unlike her two best friends, who have moved out of Slovenia years ago with no plans to return, she is determined to stay in Ljubljana. When even her longtime boyfriend gets a job abroad she moves back in with her parents and her grandma. But Špela wants to grow up and cut the cord instead of delaying her already well overdue adulthood any longer.

Two lost souls are waitng for a bus in the middle of nowhere but instead a woman appears.

Ivan Cankar experienced many things only after he has written about them. In the film, this link between his writing and his private life is depicted by live-action and animated scenes that draw exclusively on the writer’s works and letters to his loved ones. For an entire decade, he lived with the Löffler family in Vienna, where he wrote most of his impressive oeuvre. First, he grew very close to the lady of the house, then to her adolescent daughter Steffi. Back in Ljubljana, he got involved with several girls there, an attentive lover of a cheerful nature, accessible and highly intelligent. His popular public lectures reveal him as a passionate social democrat.

Somewhere far away from the village and people, four hundred wind gusts away, Marija and Drevo are dealing with the acceptance of the upcoming loss of their friend.

An (un)ordinary day of an (un)ordinary family without hands.