Kunijirō Yanagi

An unusual blending of elements comes together in this crime story drawn from Japanese history. During the early Meiji period a number of “Dokufu” (Poison Women) committed a significant number of murders. These crimes were most often committed by wives on their husbands in order to be together with their lovers. At that time women were executed in the same manner as men, to wit: by being decapitated. This is the story of the most notorious of all, Takahashi Oden who, in 1879, was the last woman executed by decapitation in Japan.

A police investigator cracks down on yakuza business, but once he realizes the police are in negotiations with certain factions, he sides with his own syndicate of choice.

The Ni Family is the most well know and respected group of firefighters in the Kanto region. When their leader dies and the successor disappears, Tsuruji, a beautiful yet tough geisha, becomes the boss. But will she be able to confront a yakuza gang trying to take over the area?

After spending several years in prison, yakuza punk Masa (Bunta Sugawara) and his underling, Katsuji (Tamio Kawachi) are back out in the mean streets of Kobe to make a name for themselves amongst the local yakuza organization.

The fourth film in the Kanto Street Peddlers series. The protagonist, played by Bunta Sugawara sides with female boss Yumiko Nogawa to fight evil Hiroshi Nawa, who at one point employs rebellious young hood Tsunehiko Watase and Kagawa. Tatsuo Umemiya also shows up as a cool, leather jacket gunman who gains Sugawara’s respect despite playing for the opposing team. What eventually keeps this film from being as good as the first is the loose script that doesn’t really tie all the fun stuff into a coherent package. Much is forgiven however when the last 20 minutes arrives with several visually striking set pieces (including one death scene stylized to the point of ridiculousness) and a terrific final massacre. This was Suzuki’s last contribution to the series; the fifth and final picture would be helmed by Takashi Harada.

An exciting tale of action on the distant northern island of Hokkaido around the beginning of the 20th Century starring two of the biggest names in Yakuza film history, Fuji Junko and Takakura Ken. Since the death of death of her father, Yuki who has traveled from her home in the southernmost part of Japan must fight corrupt local officials seeking to fill her late father's post. As her life is in danger a mysterious rifleman, played by Takakura Ken watches from the shadows. Can she finish the work her dear departed father started in an untamed land?

The second film in the Kanto Street Peddlers Clan series starring Bunta Sugawara.

The third film in the Kanto Street Peddlers series. Sugawara still plays the same Kanto street peddler, who this time ventures to Osaka where he defends a blind girl at a street market. The area is targeted by rotten yakuza (Asao Koike and Tatsuo Endo), who have lured local senior female boss (Nijiko Kiyokawa’s) rebellious but not entirely indecent son Goro Ibuki to their side.

The third chapter of the ‘Red Peony Gambler’ saga depicts the happiness and sadness of Red Peony Oryu’s life as she seals her femininity with a red peony tattoo and lives in world of chivalry and honor of the yakuza. This story takes place in the middle of the Meiji era in Nagoya. Oryu is wandering the country, training herself to reinstate her family name. With a written recommendation from Kumatora, she appears at the door of the Nishinomaru family. At the same time, the family is preparing for the gambling competition at the Netsuda Shrine Festival, which they have been hosting for generations. Meanwhile, the crooked Kinbara family is plotting to take over the competition. And now Oryu is forced to get involved in the struggle…

Junko Fuji returns as Oryu the Red Peony, a wandering female yakuza on a soul-searching journey after the death of her father. After collecting her sickly follower from jail, she is taken in by a fishing village. Feeling indebed to their generosity, she stays to work for the village and promises to leave her yakuza ways behind. When a dispute breaks out for the gambling rights to a local festival, the villagers are harrassed by a gang of thugs. When the harrassment turns violent, Oryu must decide wither to keep her promise or protect the villagers.