Alexey Agranovich

Famous musician Nikita Prozorov is kidnapped in a house in the center of Moscow. Investigator Ivanov finds out that the abduction was staged, and Nikita's mother, Renata, a well-known TV producer, is involved in this. Only one thing is known for sure that Nikita was taken to the clinic in an unconscious state for experimental treatment on computer psychocorrection of personality. To understand the reasons and deep motives of Renata's act, the investigator will have to piece together the history of the complex relationship between mother and son and answer the main question: did Renata kill her son or save his life?

No plot available for this movie.

The film is about a day in the life of Elizaveta Petrovna Glinka, also known as Doctor Liza. Moscow, 2012. The Glinka family prepares for a celebration: thirty years together. The closest friends are invited for dinner, the sons have arrived. Of course, Liza has freed up this day for her family. There’s just a trifle: to stop by the Fund and see the weekly patients at the Paveletsky Station. But the days of Doctor Liza are always full of surprises… In a hospital in a Moscow suburb a five-year-old girl is dying. The duty doctor has to discharge Eva. Due to medical formalities the child, who suffers from cancer, is left without painkillers. In utter despair, the girl’s father turns to Liza for help. When Liza cannot find a way to help the child within the system, she decides on a desperate act…

After the unexpected death of his mistress, Egor appears as the only possible guardian for her eleven-year-old son Roman. Egor is attached to the boy, but is afraid to lose his wife and two daughters if he tells them the truth about his double life. The boy is about to go into an orphanage. Egor must decide: lose Roman for the sake of his family, or confess to his family and bring home the son of the “other woman”.

Office employee Vasily is forced to spend the Friday evening before the New Year not in a bar with friends and not at home with his family, but at work with his boss, who during a Skype call instructs the hero to urgently make another presentation. The hated boss drives Vasily so much that for the first time in his life he decides to tell him everything he thinks about him — more precisely, write to him in a messenger. The sweet feeling of liberation from office slavery is replaced by anxiety for the future, own and family, especially since the boss immediately starts typing something in response…

Contemporary Moscow. Svyatoslav, a poor boy, falls in love with Asya, a rich girl, and wants to marry her. To support her in the manner in which she is accustomed, he opens an upscale restaurant. But he soon discovers he has a unseen enemy.

The Humorist is a film about a week in the life of Boris Arkadiev, a fictional Soviet stand-up comedian. Boris is tormented not only by external oppression and censorship but also by his own insecurities that poison all his relationships.

Eighteen-year-old Vasya Tikhonova is travelling with her parents to a medical resort near Moscow, seeking treatment. She has a congenital heart defect, and her mother has always been overprotective. But when the Tikhonov family arrives, a murder is committed at the resort. And within seven days, Vasya’s life will change dramatically. She will meet her first love, she will take a big risk fighting for it, and she will make a discovery that is scary, but grants her freedom.

Lena is a talented midwife and gynaecologist, her husband Serezha is an actor at a provincial drama theatre. They are close and gentle with each other, but there is no sex. Lena suspects that Serezha has an affair, but she worries quietly and does not reveal her jealousy. Instead of sorting out her relationship with her husband, Lena starts to betray him with chance acquaintances. Gradually Lena’s parallel life gets out of control and changes her original life.

They have been abandoned in a world adorned with concepts such as family, friendship, love, and opportunities. In search of answers to their questions, they devour themselves like a chemical substance that corrodes the world around, in order to eventually learn not to listen but to hear, not to look but to see. And to find their way.