Dilma Rousseff

Marias is a road movie that travels through Brazil and Russia in search of a woman that took part in great moments of the last century and had been made invisible by machismo and political persecution.

After the rise of a government threat, the four clans (Administrative Artisans, Sorcerer Teachers, Postgraduate Reapers, and Student Warriors) will unite to confront it. Conflict and bloodshed will be inevitable in a battle for rights.

Brazil has a long tradition of coup d'états. These coups would have not been viable without the support of the big media, particularly TV Globo. Two Brazilian journalists in the UK reveal the manipulative tactics of these organisations.

No plot available for this movie.

No plot available for this movie.

The movie is a collage and comentary of varied third party footage on news relating to each and every one of the eight Presidents of Brazil who took office since the end of the military government, from José Sarney to Jair Bolsonaro.

The filmmaker has shot for 16 years Lula da Silva's trajectory on politics which took him to the Presidency of Brazil. Through unique indie filmmaking, we observe the path that takes him to get elected, reelected, impeachment of his successor and colleague Dilma Rousseff, and Lula's incarceration process that paved the way to Jair Bolsonaro's presidential triumph in 2018.

The film narrates, from an intimate point of view, the daily life of President Dilma Rousseff in her official residence, the Palácio do Alvorada, while awaiting the verdict of the impeachment process. Portraying the hallways of the palace, designed by Oscar Niemeyer, we see the coming and going of political meetings, the daily routine of the kitchen, the exchange of guards, whispers and phone calls. We feel the growing tension of officials, advisers and former ministers.

The fading of composer Zé Keti’s career. The sad portrait of Brazilian Congress closed in 1977. The pain of a mother who lost her 15-year old daughter run over by a car. The Brazilian Presidents since Castelo Branco. Characters and settings registered through the keen and sensitive perspective of photographer Orlando Brito, in a career spanning 50 years as a professional. From the political sidelines to the lives of Brazilians from the interior, Brito recalls experiences and discusses the role of the photographer and the pain of registering someone’s grief.

When numerous schools in São Paulo were slated to be closed in 2015 as a result of the worsening socio-political crisis, students occupied more than a thousand public buildings in an unprecedented act of self-empowerment. Filmmaker Eliza Capai shows the development of the many-voiced protests, using news excerpts, self-conducted interviews and recordings made with activists’ own cell phone cameras. From the first demonstrations in 2013 and continuing all the way to the election of the extreme right-wing presidential Jair Bolsonaro in 2018, Capai’s highly political work becomes more and more relevant with each passing day.