Mohsun Huseynkhanli

Teymur and Khyrdakhanim are a married couple. They watch a televised wedding program at home every evening. And one day Teymur tells Khyrdakhanim, let's get married again. You go to that show and pretend you're homeless and let them take pity on you and give you a dowry and money, and I'll call you and propose to you. Khyrdakhanim goes to the show and the call comes. During the show, Khyrdakhanim recognizes the caller, Teymur says yes, and all the adventures begin from there.

At the request of his colleague, the young lawyer goes to the courtroom to replace her, but he mixes up the rooms and ends up defending a brutal criminal. The following is a catastrophe.

Arif, who was sent to a mental hospital by his neighbors, escapes from there and returns to his native neighborhood. However, his neighbor Agharza has taken over his house. In this situation, Arif tries to resolve the issue in his own way, and the true faces of all the neighbors are eventually revealed.

The film tells about the events that happened to a teacher Qani.

The film chronicles the ordeals faced by Azerbaijan’s intellectuals - from the Red Terror to the present day - depicting how, amid shifting social and political upheavals, they endure physical and moral persecution. It also explores human betrayal and the ways people adapt their identities to survive changing circumstances.

The film is about a day of the 19th-20th century famous tycoons from Baku Agha Musa Naghiyev and Hadji Zeynalabdin Taghiyev.

The film is dedicated to the memory of the great Azerbaijani poet Muhammad Fuzuli by the relic-gazalakh, and the lyric poet Aliaga Vahid. The poet's life is presented in chronological order. The authors do not clearly indicate the names of the people who covered Vahid. They tried to create a generalized artistic image using some of the master poet's masterpieces from his difficult life.