Nursel Köse

Tuncel Kurtiz is an international actor who has worked in various countries such as Turkey, Germany, and Sweden throughout his fifty-year career. He has starred in countless works in cinema, stage and television and has received many awards, including the Silver Bear at the Berlin Film Festival. He has directed two documentaries and a feature-length fiction film. Kurtiz's acting performance ranges from popular melodramas to major plays such as Mahabharata (Peter Brook), encompassing many different genres and styles. As an actor, Kurtiz believes in the creative power of chaos: 'Chaos is the most difficult to create / Not a false chaos / Many things come out of chaos'. Through testimonies, film excerpts, and archive footage, this documentary reflects Tuncel Kurtiz's diverse body of artistic work in all its dimensions for the first time. In the background of this detailed portrait are Turkey's turbulent years and the reality of exile.

When German-raised Mavi learns she belongs to a superrich Turkish dynasty, new family expectations quickly turn her world and love life upside down.

Funny experiences of the townspeople who want to change the current mayor in the elections.

Elya, who lives in Izmir, dreams of getting a master's degree in gastronomy and working in a corporate environment against her mother's pressure to get married and guarantee life. She learns that she has been accepted for a job in Istanbul. Believing that she should get together with he, whom she met online and has been in love with for a few months, she comes to Istanbul with a sudden decision.

The film, which deals with the birth and rise of the Prestige Music generation, tells the passions and life struggles of artists, including Özcan Deniz, Haluk Levent and Mahsun Kırmızıgül, from the 1990s to the present.

This fast paced farce begins with an apparently innocuous request from a village elder to take a recently deceased man to his home village for proper burial. Salim, the simple village man on which this request is bestowed, is afraid of death and by extension dead people, but he reluctantly agrees to take the dead man in his truck in order to incur good-will.

Born into a poor family with eight children in Kahramanmaraş, Dilber Ay endured many sorrows and hardships in the life she began in a tent. At the age of 13, she was sold to an older man for money, they married, and had children. She was beaten and tortured for singing, but despite all the pain she endured, she rose to the top of the stage with the strength she drew from her God-given voice, and she also experienced prison. She never gave up, always singing her way out of the bottomless pits she fell into.

After Turkey’s february 1997 military intervention, Hilal and Fatma left their town to study at university in Istanbul. Feza lives downstairs in their lodgings, has fled as village where was cruelly bullied for being a transgender woman. Hilal chooses to help Feza and Fatma.

Unable to get their lives in order, the two brothers want to be by their father's side in his final moments.

The medical team that came to the village in the late 1990s placed an intrauterine contraceptive device in all women with at least three children. As the men of the village sit down and ponder what the device worn by the women is, they conclude that the state has wired them through a series of misunderstandings. Until this misunderstanding is cleared up, everything in the village is set to change.