Ishaa Saha

After an accident a man has lost his memory. However, he feels a conspiracy is brewing around him. His suspicion grows and he can’t even trust his colleagues, friends, and even police officers.

A Bengali movie directed by Satrajit Sen and produced by Meghdut RoyChowdhury.

Lawho Gouranger Naam Rey intertwines three timelines from Mahaprabhu's divine era to colonial theatre and a modern film set.

Eken Babu arrives in Benaras with Bapi and Pramatha and soon finds himself entangled in a perplexing mystery. Strange coded messages lead him to a sinister conspiracy threatening the Masaan Holi festival. Racing against time, he must outsmart shadowy figures to save the sacred city from chaos.

This story looks at the time between the beginning and the end of your life, over time, behind time, and ahead of time, at the same time.

It follows the journey of Guddu who is a Sanskrit graduate from the small town of Begunbagicha, and literally wastes his time roaming around, being jobless and aimless in life. His friends are just like him. While Guddu’s parents are a bit eccentric, his only shining light in life is his childhood love Piu. The plot revolves around Guddu and he’s surrounded by many oddball characters. Guddu finally comes to Kolkata for a job opportunity and interestingly his love interest follows him as well.

Tora, a music enthusiast, shifts to London after her marriage. She finds it hard to grapple with the high-society lifestyle thrust upon her by her mother-in-law, while she desperately tries to impress her cold and distant husband, Ribhu. A chance meeting with a talented Indian musician, Imran, turns her life around and the two are drawn to each other by their shared passion for country music and a tattered bond with their respective motherlands.

A reclusive, introverted singer-songwriter embarks on a journey of self discovery after he falls in love with an ambitious, pragmatic girl. They are forced to navigate their insecurities, fears, dreams and reality while battling their own loneliness and existential crisis.

Vivekananda flyover collapses on a crowded Posta street, pinning under it auto rickshaws, minibuses, pedestrians, traffic constables.

Kuntol and Sudarshan meet at the railway track where they have come to commit suicide.