
Markus Paul Robert Paterson (born 03 June 1998) is a Filipino actor. He is best known for his roles in the films Ang Babaeng Allergic sa Wi-Fi (2018), Mamu (and a Mother Too) [2018], and Dead Kids (2019).
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In modern-day Metro Manila, a diverse group of Filipinos faces life's lows as their destinies collide on a fateful train ride, unfolding a heartwarming and comedic tapestry of interconnected stories.

Pretty Boys is a romantic comedy following Grey, a flamboyant and charming twink, and his longtime best friend, Jonas, a heartthrob with a masculine appeal.

A group of high school misfits become unlikely superheroes as they discover their “useless” powers.

Xavier and Mico join a writing camp, where they get to know each other more. But with their friends and other people around them twist and turn them in different directions, will they be strangers no more or strangers again?

A young reporter's investigation into a string of grisly suicides takes a dangerous detour when she follows the clues to a cursed stretch of road.

A socially awkward teen bonds with a group of misfits who plot to abduct the school's arrogant rich kid -- until their kidnapping scheme turns deadly.

Norma, a typical teenager who is always online, created a joint social media account for her and her boyfriend to mark their third monthsary. She gets a rare illness called electromagnetic hypersensitivity, which means she can't be around cellphones, tablets, laptops, and Wi-Fi. To help her cope with her syndrome, Norma relocates to a remote province with no signal, forcing her to have a long-distance relationship with Leo.

It is a trilogy which follows the story of three individuals must go through desperate measures to hide their secrets.

A transgender sex worker in her late 40s along Fields Avenue whose only aspiration is to have breast implants for her profession unexpectedly assumes the role of a mother to her orphaned niece, a transgender youth who is only beginning to discover her own sexuality. As she works more shifts to save for her implants, troubles arise when she begins to feel the weight of her struggles – being an aging sex worker in fast-evolving society, a partner to her young fiancé, and a parent to a teenager she just met. Her difficult confrontations eventually lead her to a new attitude towards life, and a unique recipe to a famous Kapampangan dish, Sisig.
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