Sulastri

Lestari stops teaching when she marries Rama who has returned from abroad. Lestari, who is an only child and an orphan, is infertile. One day she meets Shinta, her favorite student who cannot stand living with her stepmother, especially since her father, a drunken truck driver, died in an accident. Lestari invites Shanti to live with her. Then Rama’s parents bring Lestari to Tokyo for treatment as they still wish to have a grandchild. Rama and Shinta are left at home and begin to be intimate. Lestari is furious when she returns but she finally gives them her blessings as she cannot conceive. But due to a misunderstanding, Shinta runs away. Then Rama finds Shinta as a singer in a nightclub. Without Lestari’s knowledge, they consummate their love. Then Rama accuses Shinta of adultery and refuses to acknowledge the baby as theirs.

Failing a suicide attempt, Arni is rescued and treated in a house. Living next door is a journalistic photographer, Baron. Both of them fall in love with each other. In the end it is discovered that Arni is the wife of a famous businessman who is having an affair with a famous fashion model

When the driver is late to fetch Boni, from school on her birthday, she is kidnapped. This only child from a rich and harmonious family has a faithful dog, Nancy. While the father asks for police help to prepare an ambush, in the end, the true saviour is the smart Nancy. The film combines the genres of a musical, a family film, and a thriller.

Tells the story of a family that experiences chaos after the father dies. Sofia's stepson drives out his stepmother and two siblings. Finally he dies in an accident. When her mother dies, Sofia is adopted by her rich neighbor, while Erwin is who knows where. When he is slandered by his stepsister, he intends to run away but is then helped by a young man who is none other than Erwin.

Harun who cannot stand Mustofa’s repressiveness decides to leave his village to study martial arts. One year later, Harun returns and defends the villagers repressed by Mustofa

Riding a white horse, Purbaya, the horseman from Cimande, comes to Sukajadi in search of his parents’ graves. There he runs into an old man who tells his past story. Purbaya is the son of Hamidah and Meureksa, who were murdered by Argasuta. Argasuta was in love with Hamidah and he sent Hasan Botak and Bagus Bantar after her. Upon hearing this, Hamidah turns hysterical and tries to kill Argasuta. But he survives, and Hamidah instead dies in the hands of his underlings. Then the story returns to the present where Purbaya takes his revenge on Argasuta. The film is filled with blood, castrated limbs, and exploding organs.

Drawing from the novel, lenong (play) and the previous film (Njai Dasima I), this new film version has heightened erotic scenes considered the boldest for its time. But as mentioned by the director, the eroticism is meant to reveal the psychological aspects of the characters. Unlike the previous version, that mainly highlights conflict between love and witchcraft, this one features social and psychological conflicts. For example, how Dasima feels like an outsider with Edward Williams’s friends, or how she prefers leaving their house to live with her maid in the village. It also shows more background of the Samiun and Hayati characters - Samiun is a black market trader with a lot of debts and Hayati is a woman obsessed with gambling to get rich. When his debts are due and he is unable to pay, Samiun asks his friend, Puasa, to “rob” him while he is returning to their village with Dasima.

Rahmat loves speeding, that's why he has a regular garage. There he meets Nani, who wants to learn to drive a car. The acquaintance continues with dating. Problems arise when Rahmat's aunt, Sofie finds out that Nani is Eddy's niece, who once had an affair with Ratna, until her husband died.

Firman inherits a piece of land and a hut from his late father. He works hard by selling fruits, to fulfil his father’s dream, of ensuring that his little brother, Agus, finishes his university education. Agus falls in love with Isma, a daughter of a middle-class tailor, Mrs. Slamet. Mrs. Slamet is a distant relative of Mrs. Dirham; a rich widow, who wants her son, John, to marry Isma. But Isma falls for Agus and John often disparages Agus, which infuriates Isma more and more. Finally Mrs. Slamet gives in and accepts Agus’ proposal, and even John is willing to pay the marriage expenses.

A comedy about a group of housewives, who live close to each other, they have different jobs as school-teacher, writer, office clerk and so on. The eccentricity of each individual is explored without conflict or story.