Eleni Thymiopoulou

A family, consisting of the grandmother, the mother and her two children, a daughter and a son, seems to raise them in a different way compared to the rest of society. The teenage children, Orestes and Danae, still have the innocence of childhood, without knowing the outside world. In combination with the embrace of a religion, this Goddess of snakes and the control of the mother and grandmother over the children, we understand that the power of the family lies with the women. The family peace is disturbed when they catch Orestes masturbating. The mother and grandmother understand that childhood innocence has been lost and it is time for Orestes and Danae to enter the process of adulthood, as they know it. The roles change, Danae is “educated” differently by Orestes, who is treated more like a reproduction machine than as a human whole. Will Orestes withstand these changes? How dangerous is his family to him?

Christina is required to provide lodging for her brother Themis on his release from prison. The influence Themis exerts on her daughter, Miranda, causes friction within the family, and Christina struggles to keep the balance.

Staring at a butterfly trapped in a jar, a boy ponders over the balance between protection and freedom.

Through the voyeuristic nature of the internet, Alexis unintentionally witness a murder through his computer. Will he be able to uncover the murderer or he will be caught into his trap?

Because of a severe famine that affects the whole country, the government is allowing non-productive citizens to be eaten.

In a world where everybody wears emoticon masks, Nick meets Sophie, a woman that dares to express her feelings through her own face. The life of Nick will drastically change by having feelings that emoticons cannot describe.

A man trapped in an endlessly repeating space resembling a subterranean parking lot with multiple levels, is searching frantically for the exit.