J.C. Quinn

Kevin Mitnick is quite possibly the best hacker in the world. Hunting for more and more information, seeking more and more cyber-trophies every day, he constantly looks for bigger challenges. When he breaks into the computer of a security expert and an ex-hacker, he finds one - and much more than that...

Suburbanite Ron is spoiled, young and not overly worried about the marijuana charges leveled against him. But, after being made out to be a drug dealer, he faces a five-year jail sentence in San Quentin State Prison. Physically frail and unaccustomed to his rough surroundings, Ron is primed to fall victim to sexual predators and bullying guards – that is, until he's befriended by Earl, a veteran inmate who finds meaning in protecting the vulnerable new kid.

Across the Line (2000) is a truthful representation of both hope and corruption, focusing on critical events transpiring at America's border with Mexico and known both to those who live on the "line" (physical and metaphorical) and to those with the courage to cross it. Further it is a fine example of the filmmaker's art, featuring convincing portrayals underpinned by a convincing script and the directorial talent of Martin Spottl.

In the sleepy town of Vine Creek, preacher and volunteer fireman Joe Cass wakes up to realize his family and community are at a breaking point. Joe decides to take control of his life and must prove his bravery when he is called to save a child trapped inside a burning building. Lost inside the inferno, a mysterious fireman helps them to safety and quickly disappears. As Joe waits for the mystery fireman to come forward, rumors circulate throughout Vine Creek that the apparition was an angel sent from above.

In this adaptation of the best-selling roman à clef about Bill Clinton's 1992 run for the White House, the young and gifted Henry Burton is tapped to oversee the presidential campaign of Governor Jack Stanton. Burton is pulled into the politician's colorful world and looks on as Stanton -- who has a wandering eye that could be his downfall -- contends with his ambitious wife, Susan, and an outspoken adviser, Richard Jemmons.

Precocious young Harriet and her older sister Gwen live at their mother's motel in small-town New Hampshire. Harriet dreams of a life beyond her inattentive family and the stultifying town. A mentally disabled man named Ricky comes to stay at the motel, and Harriet finds him kinder and more interesting than anyone she has ever met. After tragedy strikes, Harriet and Ricky cling to each other ever more tightly.

The gruesome death of a prostitute brings suspicion on one of her clients, James Wayland, a brilliant, self-destructive and epileptic heir to a textile fortune. So detectives Braxton and Kennesaw take Wayland in for questioning, thinking they can break the man. But despite his troubles, Wayland is a master of manipulation, and during the interrogation, he begins to turn the tables on the investigators, forcing them to reveal their own sinister sides.

A woman inherits a fortune, causing her husband and his lover to plot her demise by poisoning her. The only trouble is it only places her in a deep coma that resembles death. When an accident occurs in the embalmer's office he doesn't complete the embalming process, causing her to be buried alive. Awakening from the grave, she claws her way out and seeks revenge against the two who caused her supposed demise

The court has given custody of Emma Hayes' child to the baby's father, a man who raped Emma when she was only fifteen years old. It's up to the baby's grandfather, Clayton Hayes to prevent the child from being handed over until Emma can convince the court to reverse the order.

Sydney Carpenter is a devoted mother to her young son, and is now accustomed to the puzzling existence of her mysterious, non-communicative husband, Matthew. When her husband and son are suddenly lost at sea after a boating accident, Sydney's comfortable existence is shattered. Although overwhelmed by her grief, Sydney cannot ignore the strange pieces from her husband's past that continue to make their way into the present.