
David Roper is a British film and television actor, who is best known for playing Chris Hawthorne in The Cuckoo Waltz (1975-1980) and Charlie Fisher in Leave It to Charlie (1978-1980). Later during his career he played Geoff Barnes in EastEnders (1985-) and Bob Bradshaw in Coronation Street (1960-). Roper also appeared in Crown Court (1972-1984), A Bit of a Do (1989), The Gift (1990), Taggart (198...
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Taking over Leeds United, Brian Clough's abrasive approach and his clear dislike of the players' dirty style of play make it certain there is going to be friction. Glimpses of his earlier career help explain both his hostility to previous manager Don Revie and how much he is missing right-hand man Peter Taylor.

The American successful architect Michael Lewis travels to London with his partner and friend, the builder Jake, to refurbish an old hotel. Michael is having successive nightmares, and once in London, he realizes that twenty-one spirits are trying to contact him to solve murders of a serial killer. Michael, with the support of Jake, Detective Pryce and the ghosts, try to avoid the ninth crime and find the serial-killer.

With the help of a feisty aristocratic woman, a working-class Scotland Yard inspector hunts for a serial killer of young women in Victorian London.

Former police psychologist Rob helps to save young Chrissy when she is about to commit suicide by jumping of 21st-story balcony with her 4-year-old son Jake. When he persuades her to go on a date, they are trapped with Jake in an elevator after a drunken gang crashes into the elevator's engine room and creates havoc.

When their boss goes off to Vienna to dine with his fiancé, his clerks decide this may be their last chance for an adventure (razzle) and head for the Big City. Zangler must cancel his plans, as his niece has run off with her boyfriend. Naturally, soon everyone is running into everyone else!

Agamemnon returns home from the Trojan war and is murdered by his wife, setting off a chain of revenge that stretches across this trilogy of play. Directed by Peter Brook for the National Theatre, this is an all-male performance with masks.
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