Valentina Cervi

The encounter between physics and cinema and the terribly topical subject of the end of the world turned the set of Liliana Cavani's The order of time into a kind of Noah's Ark, where cast and crew isolated themselves for five weeks. Flooded by the climate emergency, wars, and the dystopian future, while Cavani holds the helm of the ship and Carlo Rovelli explains the end of time, the film's meteorite becomes in the documentary a metaphor for what happens in the protagonists' real lives.

A group of friends gathers for a birthday by the sea, only to face the looming possibility of the world ending within hours, transforming one fleeting, endless night into a life-altering experience.

The teenage son of two fathers makes a documentary film about his parents but is surprised when a real-life plot twist occurs in his family.

The young girl, an insomniac. The mother, an artist. The dog, named Marcel. The little girl loves her mother immensely, but her mother loves Marcel more than anything else. Will an unpredictable event allow those circles of love to reconnect?

Three well-off young men—former students at Rome’s prestigious all-boys Catholic high school San Leone Magno—brutally tortured, raped, and murdered two young women in 1975. The event, which came to be known as the Circeo massacre, shocked and captivated the country, exposing the violence and dark underbelly of the upper middle class at a moment when the traditional structures of family and religion were seen as under threat.

The protagonist, after years spent in war-torn Syria, decides to return to Italy, to finally put behind his terrible experiences, and regain his life. But in order to do so, he will have to pay a very high price.

In 1950s Italy, a farmer's dream of improving workers’ living conditions collapses when he falls for a landowner's daughter. Based on true events.

Through letters, diaries and personal testimonies, an account of the complexity and variety of experiences of LGBT Italians during the Fascist dictatorship of Benito Mussolini (1922-43); intimate words that contrast with the lyrics of popular songs and the propaganda of the time, obsessed with extolling the myths of virility, femininity and motherhood and constrained by sexual repression.

From campy lies to sexy surprises, this collection of vignettes captures the follies of several men as they fumble with fidelity and relationships.

In a respectable suburb made up of row houses, Luca Attorre — a freelance journalist who struggles to get his features published in the papers — is unable to maintain Susi, a ballerina reduced to teaching dance to overweight women, and Lucilla, their quiet and imaginative six-year- old daughter who suffers from severe bronchial asthma. They are helped economically by Pierpaolo, Luca’s seventeen-year-old son from a previous relationship. Pierpaolo lives in an Art Nouveau house with his mother and grandfather, an important trial lawyer of cases linked to politics who rakes in several million euros a year. In the setting of a magnificent and incomprehensible Rome, both a good mother and a bad one, Mary Ann, a deeply Catholic student of art history from Ireland, au pair for the little Lucilla, is caught in the middle.