Simon Munnery

Feature documentary from Louis Moir exploring the relationship between comedy and art, and the inner conflicts that lie within. Featuring the director's father Jim Moir, aka Vic Reeves, Spencer Jones, Simon Munnery, Miriam Elia and Bec Hill as they each prepare work for an exhibition.

“I’ve been mugged three times and arrested once. What a night!” Twenty years ago, in Edinburgh, legendary comedian Simon Munnery was arrested for “being a German in a built-up area”. It wasn’t an early brush with ‘cancel culture’ but it did lead to a trial. For the first time, British Comedy Award nominee, serial innovator and ‘Perennial fringe maverick’ (Guardian), Simon Munnery tells the tale of this trial, as well as his second court appearance last year, one that only came about after four years of a gruelling legal battle (or possibly an administrative backlog). Well, it worked for Lenny Bruce. Simon will also seek to turn various other distressing life occurrences into comedic gold. And there will probably be a song.

Multi award-winning comedian Simon Munnery reprises his notorious alter ego, the bedsit anarchist Alan Parker Urban Warrior. Once the most radical, now the only radical, Alan returns with the old gold, the old truths, and some new truths (based on the old truths).

The extraordinary true story of eccentric British artist Louis Wain, whose playful, sometimes even psychedelic pictures helped to transform the public's perception of cats forever.

“I went to a funeral the other day. Caught the wreath…” That’s what came to me, from the mysterious source of the inexplicable. Hear the story of the joke, the painting, and what happened next. This show was recorded in the hot and sweaty Bill Murray comedy pub in January 2020. It includes a rather splendid after the credits section, and a cool video extra too.

Billy Hill and Jack 'Spot' Comer were among the most notorious criminals in London up until the 1950s. Dramatising the violent reign of two of London's most notorious gangsters, Billy Hill (Leo Gregory) and Jack 'Spot' Comer (Terry Stone), ONCE UPON A TIME IN LONDON charts the legendary rise and fall of a nationwide criminal empire that lasted until the mid-fifties and which paved the way for the notorious Kray Twins and The Richardsons. This is the story of their rise and fall.

A new hour of stand-up and miscellany from Award winning Simon Munnery. Featuring tales of plumbing woes, his attempts at under tent heating, jokes, songs, poems and the ridicule of capitalism. Featuring a newly extended version of his classic supermarket medley.

Simon returns once again to what he does, being himself for an hour. He will consider The Absurdity of Houses, lament The Neo-Con Con, perform The New Can-Can, extol The Joy of Washing-Up and generally tell it like it is, was, and might be if we could but get our fingers out. All rise.

This film follows Nina as she trains as a giggle doctor with Theodora Children's Charity, beginning with her trying to find her clown persona, who might be Scottish... or might not. Devastated by the discovery that Monkey can only perform in hospitals if he can be boil-washed, Nina tries to go it alone with only a red nose, a few misshapen balloon animals and some slightly disappointing magic tricks. Not to mention her professional snobbery rearing up as she finds herself turning into a baby-voiced children's entertainer. Then there are the difficulties she encounters when faced with clown phobia. Following her directorial debut with Her Master's Voice which won a Grierson Award and a BAFTA nomination, Nina Conti brings us another frank and intimate documentary about her eventful two-year stint as a hospital clown. Join her to discover whether Nina raised a laugh amongst sick children or whether she cried the tears of a clown.

Simon's back with an all new show based on his remarkable Fylm makking contraption, accompanied on the guitar by Mr David Willis. The show is his second live film (or Fylm) - rendered on the spot by a homemade device operated by Simon from the back of the room. With it, he manipulates his own image and that of various animation cutouts on the table in front of him to create his Fylm which is then projected onto a big screen at the front of the theatre. You will see what the audience saw as they sat and watched the show.