Frithjof Rüde

This is part one of a two-part biopic about Karl Liebknecht. In 1914, Germany is arming itself for war. Karl Liebknecht, left-wing revolutionary Social Democrat, workers’ leader and a virulent antimilitarist, is one among 110 SPD members of Parliament who vote against approving war loans. From then on, he is considered un-German and a traitor to the fatherland, and his own party’s leadership turns against him. Despite threats, Liebknecht speaks up against the war and writes the manifesto “The Main Enemy Is at Home.” Even when he is arrested and charged with treason, he does not surrender.

After years of drifting around, Willi Palko arrives in the lignite mining area. He was not only looking for a new job, but also wanted to finally settle down here. The party leadership sends him to the Schepp brigade, which has made itself "suspicious" (on paper) due to its extremely high production figures. The stranger is accused of being a spy for the factory management. Willi finds it difficult to assert himself, but he is taken with the big excavator, the prospect of one day being allowed to drive it, and the brash flapper Hanna. He stays, and with his help a mine foreman is exposed as a Western agent and coal production is brought up to a really high level.

Erich Kubak is an excavator operator at the lignite plant. A technical weakness in the excavator, which repeatedly leads to production downtime, is causing problems for everyone. Erich works on an improvement, but this is not accepted by the chief engineer. On his own initiative, Erich carries out an experiment and causes a great deal of damage. He is dismissed as excavator operator and then resigns. Meanwhile, his son Ewald, who also works at the plant, manages to interest the chief engineer in his father's improvement proposal. Together they work on perfecting it. When Erich finds out about this, he returns to the factory.

The story of a resistance fighter in the Nazi era: Communist Hans Löning was arrested in 1933, imprisoned in a concentration camp and tortured. The Gestapo plans to smash the resistance group around Löning. Despite the imminent threat to his life, Löning, together with his wife, organized the passive resistance of the Hamburg workers against the Hitler regime. In 1944, Löning was again taken and killed.

This film is the first of a two-part historical and biographical portrait of the communist politician and anti-fascist Ernst Thälmann. In early November 1918, Ernst Thälmann is an unwilling soldier serving on the western front. As the revolutionary movement at home is threatened by the betrayal of the Social Democrats and fissures in the working class, Thälmann calls on his fellow soldiers to put down their weapons and unite with the workers in the communist struggle at home. Thälmann’s qualms about which side he is fighting on continue, but when the local police attempt to prevent a shipment of provisions and supplies from reaching the people in Petrograd, he intervenes and the ship is unloaded. With this moment of clarity, Thälmann continues to follow his political convictions and joins the workers at the Hamburg uprising in October 1923.

An anti-British propaganda film from Nazi Germany which depicts the life of the South African politician Paul Kruger and his eventual defeat by the British during the Boer War.

A Nazi propaganda movie from 1941 directed by Max W. Kimmich, covering a story of Irish heroism and martyrdom over two generations under the occupation of the British.

An English peace judge in an Irish district is married to an Irishwoman. She is a caring patriot. He is heavily indebted by a life of luxury, and doesn't shy away from dark deeds to maintain his lifestyle. Anti-Britsh propaganda film.

The young Schiller, whose heart and soul are writing and poetry, is forced into the military academy (the pride and joy of the Duke of Württemberg). Schiller is disgusted by the everyday routine of the military, always back and forth between breeding and drills. Conversation, conflict or even critique are discouraged – the oppression insufferable for the young rebel. Disgusted by the brutality, he writes his drama "The Bandit", which he would later publish anonymously. But following a frank conversation with the Duke, Schiller is dishonored and must leave the land.