Vahé Berberian

100 years after genocide, an American woman ventures across the globe in search of her great-grandparents’ long-lost house and her place in the world.

Five misfits attempt to rob an antique heirloom with the plan to turn it in to the police and collect a reward.

Ooremn, Berberian’s sixth and the latest monologue after Yevaylen, Nayev, Dagaveen, Sagayn and Yete is a witty and hilariously funny take on the many aspects that bring absurdity to our existence. The sharpest of Berberian’s monologues, Oormen takes jabs at all the facets of self deception in relation to love, marriage, religion, being Armenian and much more. Recorded live at the Glen Arden Club in Glendale, California.

The battles between the ruling empires and houses of nobility that would decide the fate of the Caucuses, the real Middle Earth, and ultimately the fate of the Western World.

In this heartwarming comedy, two filmmakers from Los Angeles go to Armenia to shoot a feature length movie about a third generation American Armenian who goes to Yerevan to adopt a 12 year old. Teaming up with a local impresario, the team begins the arduous task of casting for the parts, scouting locations and securing the last leg of the funding. What seems to be a perfect plan becomes a perfect storm of absurd meetings, unexpected discoveries and hysterical events, which come together to sabotage the project. The Minister of Culture, The chief of police, the director of Hyefilm Studios, the oligarch...They all offer to help, and yet all of them have their conditions - changing the plot of the script, adopting it to another period, casting a relative for a part, and ultimately a proposal to turn the simple, touching story into a biopic of an oligarch.

Berberian is a master of finding the comedy in personal, social, and cultural topics– in this case, he finds the humor in anxiety. Yete is Berberian’s fifth monologue after Yevayln, Nayev, Dagaveen, and Sagayn. Following 20 sold out shows in Los Angeles, his Sagayn tour took him to Yerevan, Beirut, Istanbul, Paris, Sydney, Cyprus, Geneva and a dozen other cities. Four years have passed since Sagayn and Berberian is thrilled about his new monologue. “I love writing, painting and directing, but being alone on that stage is a completely different sensation. I feel empowered, because there’s nothing more difficult than getting up on a stage and trying to make people laugh for an hour and a half. If you fail, you can’t blame anyone else for your failure and you’ll be crushed, but if you succeed, you feel exhilarated,” says Berberian.

With Sagayn, Berberian has pushed the envelope by finding absurdity and great humor in not just the Armenian, but the human condition in general. With his unique spin on everyday topics such as weddings, religion, Armenian characteristics and everything in between, Berberian will keep you laughing long after the show is over.

Another raucously funny monologue covering a variety of subjects, including such topics as life after 40, the Armenian condition in the Diaspora, and Vahe’s experience of visiting Armenia for the first time.

From the man who brought you "Yevaylen" and "Nayev" comes a hilarious peek into the Armenian condition and the necessity of laughter in life. Vahe’s third hysterically funny and engaging monologue tackles diverse topics such as family, marriage, surveys, concentrating on the Armenian American identity and finally the importance of laughter. Along with personal stories and meditations on the Armenian condition, Vahe tries to find an answer to the question “Are the Armenians truly happy, or – as an Irish newspaper claims – are we the saddest nation on the planet?” Vahe performed Dagaveen for over four months at Rococo in Pasadena, California, and has taken the show on the road to various cities in the U.S., Canada and Europe to packed audiences.

A hilarious monologue about growing up in an Armenian family in Lebanon. Vahé describes his experiences as a member of the Armenian Diaspora. The monologue was performed live in several cities across the US. A performance of this piece was recorded live on video at Rococo, in Pasadena, California in August 2000.