Eddie Golden

In this melodrama from Barbara Cartland's 1975 bestseller, a turn-of-the-century American heiress, while en route to her betrothal to an English duke, encounters love and intrigue in the arms of a French journalist.

Bosco Hogan plays Joyce's alter-ego, Stephen Daedelus, growing up in Ireland in the early part of the 20th century, and at odds with the strictures of his Catholic home and family. The film charts his search for knowledge and understanding, during a decline in his family's circumstances, that leads him to revelations on the nature of art, beauty, and politics. However, his personal renaissance makes him feel unwelcome in his own country, and forces him to make a choice between exile as artist or staying and facing personal defeat.

When his father becomes a bomb victim, Jimmy leaves Belfast for his uncle’s farm in remote west Ireland. But even here there are links to the past.

The life of young newlywed, Fern O'Neil, is turned upside-down when her husband is called home to visit his dying father in Ireland. When she fails to receive a phone call from her husband, she contacts the airline and discovers he was not on the plane. Further investigation reveals that her husband is not who she thought he was. Her search ultimately takes her all the way to Ireland, where her sanity and, of course, her story come into question.

Told from the POV of Black Beauty himself, his birth and perception of humans are explored, but his first owner, a boy named Joe, is his most memorable.

Dublin; June 16, 1904. Stephen Dedalus, who fancies himself as a poet, embarks on a day of wandering about the city during which he finds friendship and a father figure in Leopold Bloom, a middle-aged Jew. Meanwhile, Bloom's day, illuminated by a funeral and an evening of drinking and revelry that stirs paternal feelings toward Stephen, ends with a rapprochement with Molly, his earthy wife.

Thomas Crimmins is a new warder, or guard, in an Irish prison. He is young, naive, and idealistic, determined to serve his country by his part in meting out justice to criminals. His superior, Regan, however, realizes that even prisoners are human beings, and Regan is sick of the eye-for-an-eye attitude that leads the state to execute condemned men, or "quare fellows." Crimmins begins to see that not all is black and white in his new world, and when he becomes involved with Kathleen, the wife of one of the condemned men, his attitude begins to change. When new evidence arises to suggest that Kathleen's husband may not deserve his fate, Crimmins is torn between his duty and his humanity.

In a working-class Jewish family in Dublin, a young boy becomes increasingly close to an old orthodox Jew and assimilates his views, much to the dismay of his family.

In 1941, the IRA plans a campaign to coincide with the planned German invasion of England. Dermott O'Neil finds it easy to get into the IRA, but can he get out?

A sincere young woman straightens out a wild and irresponsible ladies man