Erika Pelikowsky

No plot available for this movie.

Once upon a time, there was a poor farmer who had thirteen children. Since the farmer was so poor, there was never anything left for the youngest of the family. Therefore, the farmer chose Death as the godfather of his son, Jörg, because all people are equal in the eyes of Death. The Grim Reaper is happy to look after the boy and turns Jörg into a skilled doctor who earns wealth and fame.

Prague 1913: The family of newspaper publisher Alexander Reither, traditionally reunited for a New Year's dinner, moves along convoluted and secretive paths in everyday life. Granddaughter Wally is impressed by the opaque businessman Marko Gelusich. Her cousin Adrienne meets the young socialist Joseph Prokop at an illegal anarchist meeting. On a business trip to Vienna, Alexander Reither falls in love with Irene v. Claudi. Adrienne wants to move completely into Joseph Prokop's proletarian world, but her mother Kalivoda makes her a painful announcement. Joseph already has a girl. Alexander finds Irene v. Claudi in Budapest. They spend happy days in Vienna. In Prague, the printing workers go on strike. Adrienne fights alongside the workers and Robert Kalivoda. She experiences class struggle with her cousin Guido Frank. Alexander tries to introduce Irene to the family.

A master thief returns home. There he is threatened with the gallows if he fails to solve the tasks set by the count. So he has to steal the count's personal horse, the bed sheet and the wedding ring as well as the priest and the sexton.

When Dr. Schmith's proposal for international research on infant mortality is rejected, he decides to leave East Germany and strikes a deal with an escape agency that promises him a leading position at a children's hospital in West Germany. But then the decision is reversed: the project is approved and his international colleagues want Dr. Schmith to head the GDR section. Moreover, he falls in love with his new colleague, Katharina. Schmith initially tries to ignore the arrangements he made with the escape agency, but they blackmail him. Things soon turn deadly...

Vienna, 1813-1819: Beethoven (played by Donatas Banionis) is at the peak of his fame. Orchestras all over the world play his music, but he lives modestly and is dependent upon private patrons. Nagged by his patronizing brothers, spied upon by officials for his republican beliefs and faced by his progressive hearing loss, the composer becomes more and more isolated. Seeman’s poetic film explores the joys, heartbreak and artistic spirit of the great composer as he works on his Ninth Symphony.

A detailed reconstruction of the censorship case against the landmark Weimar-era communist film, Kuhle Wampe, or Who Owns the World? (1932). Directed by Slatan Dudow, the crew and cast included left-wing luminaries, such as playwright Bertolt Brecht, composer Hanns Eisler and balladeer Ernst Busch. The film was the subject of vehement disputes and was banned twice for revolutionary and communist tendencies that were perceived to threaten the state. About 230 meters of the original film fell victim to the censor’s shears. This historic censorship case was argued over the course of three sessions. Censored: Kuhle Wampe re-enacts the censorship hearings, based on original minutes and documents, as well as personal records of the case. In addition to footage from the original film, this docudrama includes original clips of Berlin in the 1920s and '30s and short testimonies, filmed in the 1970s, with some of the actors involved in the original Kuhle Wampe film production.

In this film, Wolf and scriptwriter Wolfgang Kohlhaase explore the role of art and the artist in socialist society. A sculptor questions the reception and value of his work, in a delicately nuanced narrative interweaving personal memories, historical dilemmas, and political defeats.

Florian is the son an army general and very proud of him. When his father has to attend the annual 1st of May demonstration, Florian grabs his teddy bear and tries to follow his father.

In this East German film, the third one in The Third is Margit's third lover. After her mother's death, Margit has two affairs which don't work out, and one lesbian friendship which she retains. She is looking for a husband, though, and thinks she has spotted a candidate in her fellow factory worker. As she contemplates marrying him, her story is told in a series of flashbacks.