David Matásek

A day before Christmas Eve, a young, inexperienced doctor starts his first night shift on his own. All of his more skilled colleagues have left to spend some time with their families. There are no signs which would indicate that this calm night will change into a struggle for not only a child's life, but also a professional and personal credentialing.

Drug dealer Šárlí ended up with a knife in his liver during a drunken brawl as a group of teenagers left a pub late at night. Commissioner Vašátko, who is already enjoying his retirement, is drawn into the investigation by the young man's grandmother, Forejtová, an old acquaintance of his late wife. It turns out that Vašátko's friend, the painter Horác, knows another member of the group, 16-year-old Zbyněk, whom he taught painting some time ago. Zbyněk is struggling with his authoritarian and precise father, the businessman Bouzek, and is clearly hiding something. Vašátko and Horác eventually uncover the background to the murder and its perpetrator. But first, they have to understand the titular "bug," as Vašátko calls the detail that doesn't fit in a criminal case. If the detail is not clarified, the case cannot be closed. In this story, the "bug" is a shoe found at the scene of the crime that does not belong to any of the participants in the altercation.

Zdena, a young nurse, starts her first night shift at an old people’s home and immediately faces a difficult task: she has to deal with the body of a deceased client. A gentle portrait of faltering youth and a realistic tale of an encounter with death in a blend of physically intense moments and absurd humour.

No plot available for this movie.

"A documentary anatomy of mass murder for one monitor and 34 talking heads." These are the words the filmmakers use in the credits to describe their project, which thematises the execution of more than 260 Carpathian Germans, Hungarians and Slovaks by Czechoslovak army soldiers near Přerov in June 1945. The “massacre at Přerov” is made present through a minimalist dramatisation of the interrogation footage of direct participants, eyewitnesses, and others. It is as if the characters of ancient theatre were entering the Zoom “stage” and delivering a tragic message of fear, hatred and disinterest across the chasm of time.

No plot available for this movie.

To win back his girlfriend after an unfortunate misunderstanding, a hopeless romantic decides to recreate grand gestures from famous movies.

In 1951, the well-known Czech actress Jiřina Štěpničková receives a letter from Austria from director František Čáp, who has recently emigrated. He invites her to the West and promises her roles in theater and film. She decides to seize the opportunity and flee. Together with a small group of people and her young son Jirka, she entrusts herself to a smuggler and embarks on a risky journey across the border. But something goes wrong. They are caught. Everything had been planned in advance. The smuggler himself is a member of the StB. But that's only the beginning.

This time, Captain Vašátko of the criminal police and Horác, a painter, bohemian, and amateur detective, will be searching for the murderer of the author of so-called computer poems. Kristián Vích is a mathematician approaching forty. He is very popular among his colleagues. He is secretly dating Tereza, the wife of his rude colleague. The lovers are planning Tereza's divorce and a life together. However, Vích's despotic mother has other plans for her son and a favorite among her colleagues. One day, Kristián's body is found floating in the river, and the perpetrator is, of course, unknown...

Captain Vašátko of the criminal police and Horác, a painter, bohemian, and amateur detective, are searching for the murderer of Daniela Jásková, an emancipated young woman who excelled at her job and also excelled at changing lovers. When she is found strangled in her apartment, Vašátko's team begins an investigation. They also focus on the victim's sister, Alena Kášová, who did not like Daniela very much and resented her ability to win over every man. Suspicion also falls on Alena's ex-husband, the sculptor Káš, whom Horác has known since his studies at the academy.