Sarah Grappin

Jean, a well-known but casual actor, arrives on set freshly shaved while his director had asked him to come with a four-day beard. This innocuous gesture is a disaster for the filming and, for Jean, an opportunity to finally pay attention to the world that surrounds him.

While on vacation with Meï at her grandfather's place, Lili decides to build a plane to go and visit the person she misses.

Jean left his hometown ten years ago. When his father falls ill, he comes back and reunites with his sister Juliette and his brother Jérémie. As seasons go by around their vineyard, they'll have to trust each other again.

Julien Schulmann is a comedian. He has just lost his father, a Polish Jew and extermination camp survivor. Before he died, his father left a "will" in which he requested that his other son, Pierre, who hasn't been heard from for two years, spread his ashes in Poland. His father's preference comes as a rude shock for Julien, and it opens a chasm inside him, slowly bringing to light an unspeakable secret.

Three sisters arrive at their mother's house. Her granddaughter, Zouzou, has been there for a week. The sisters discover that the 14-year-old is having sex upstairs, probably for the first time. Panic ensues.

Solange, in her sixties, her 3 daughters, and Zouzou, her 14 year-old granddaughter, spend a few days in the country. An opportunity for Solange to announce the news: she has a new man in her life. And the sexual side of the relationship, should they discuss it or ignore it?

During a moment of intimacy, a couple slowly reveals its mysteries, its pains and its traps.

Four women, all journalists for the French daily "Libération", decide to have, over the course of a week-end, an experience with a male prostitute.

No plot available for this movie.

In this poetic story, set in the late 1950s, the life of a small boy is influenced by historical events, ranging from the exploration of space to the Algerian War. His father is drafted and the boy’s cozy home changes into the cold walls of a barracks flat. His central focus becomes the world of child fantasy and imagination. The director has made an attempt at capturing the thoughts, dreams and anxieties of one child, which sets out on a journey to the centre of the Earth, while the adult hero remembering his childhood sets out on a journey to the centre of himself. The rhythm of the story flows just like a nocturne, a lyrical musical piece expressing a night mood. The director’s ambition was not to create a realistic film, but to try to transpose a child’s fantasies into images.