Tatyana Samoylova

Documentary film dedicated to the destiny of the great Soviet actress Tatyana Samoylova

Drama based on life and stories of one of the most popular Soviet/Russian writers - Sergei Dovlatov.

Young Alisa is fed up with her life in Moscow, and moves to St. Petersburg. Her roommates in the collective flat are two junkies, Vel and her boyfriend Valera the Dead Man. First they fight, but soon the two women form a friendship. Together they even go after the Petersburg underworld when Dead Man is abducted because he can't pay his debts.

The thirties, the heyday of Soviet film production. The story of the famed couple's glory — a filmmaker and actress, behind the external well-being of which were hidden strange contradictory relationships and a sense of fear that they carried through their whole lives. The prologue to this story is the 85th anniversary of Lidiya Polyakova, the formerly brightest star in Soviet cinema, who played the main role in all the films of her own husband, director Konstantin Dalmatov. Now in the courtyard there are other times, Dalmatov’s movies are called ideological agitation, and the director himself and his wife are hiding from the world in the country, trying not to let anyone in.

The career of revered Russian filmmaker Mikhail Kalatozov is explored in this documentary film comprised of rare behind-the-scenes footage, interviews with French director Claude Lelouch, and conversations with some of the biggest names in contemporary Russian cinema. Kalatozov's grandson Mikhail Kalatozishvili pays tribute to the director of such timeless classics as I Am Cuba, Salt for Svanetia, and The Cranes are Flying as such notable fans as Andrei Konchalovsky, Sergei Solovyov, and Alexei Batalov discuss the remarkable influence Kalatozov had on their own film careers.

Feliks, professional killer, has only 24 hours to get to the distant island, where his beloved woman and the money for the custom made is waiting for him. Lyova Shalamov and his brother Garik have also 24 hours to find and to kill Feliks.

It is a documentary story about five legends of russian cinema: Nonna Mordyukova, Tatyana Okunevskaya, Tatyana Samoylova, Lidiya Smirnova and Vera Vasileva. These wonderful women tell about their lifes and careers in hour interview.

After Polina, a mother of six, loses her husband, who went to jail for stealing charcoal and was killed when he tried to escape, she stays behind without any support. To be able to survive, Polina and her family start a folk group. But soon she understands that her children deserve a better fate, and she takes the desperate decision to steal a plane and go abroad... Fifteen years later, Polina is released from prison and finds out that fate has scattered her children all over the country: one is in the army, another is a miner in the Donbass, and the oldest, Lyonchik, who used to be in a mental institution, now pretends to be insane. Polina gathers all of her sons to free their older brother from the psychiatric hospital...

This film is of interest primarily because it contains within it the entire surviving footage of an unfinished 1974 film by the same director, Slave of Love, which was successfully remade shortly thereafter by another director, Nikita Mikhalkov.The "cover" story is about a woman (Jeanne Moreau) newly released from prison camps in the 1940s back into Russian society, who finds that there is no place for her in the world she has come back to. However, this painterly film is so filled with striking and surreal imagery that it would be misleading to say that the story is of any great importance in relation to that.

In 1921, the Cheka became aware that gold and jewelry were stolen from the treasury of Gokhran, and that a special organization was involved in transporting the stolen to Estonia. Scout Maksim Isayev is sent to this country. He establishes that the cipher of the Soviet embassy Olenetskaya works for the German resident Nolmar, with whom employees of Gokhran Kozlovskaya and an appraiser Yakov Shelekhes are associated. As a result of the provocation, Isayev was arrested. In the prison cell, he finds himself together with the famous Russian writer Nikandrov, who could not find himself in post-revolutionary Russia and went abroad. Released soon by the efforts of his comrades, Isayev continues the struggle for the fate of Nikandrov — for his return to his homeland.