Cristina Plazas

A woman who is 27 weeks pregnant is the victim of an attack and since then she has remained in a coma, hovering between life and death. In such a situation of unconsciousness, bad memories and episodes of violence stir in her mind.

On her birthday, Carmela, a 12-year-old girl, is forced to meet her father in a family meeting centre, due to the case of gender violence that he has brought up against her mother.

After losing her job at a cutting-edge fashion magazine, Marta finds herself forced to abandon the cool, hip world she has always aspired to be a part of and return to the working class neighbourhood she grew up in, where she reunites with her old school friends.

No plot available for this movie.

This film is Álex Montoya's first feature film: an interesting adaptation of the play La gente by Juli Disla and Jaume Pérez, also screenwriters of the film. The emergence of assembly groups after the political movements after 2011 served their authors to cast a comic look at decision-making processes and the capacity for dialogue of the human being.

The film humorously recounts the adventures of three young friends, now in full quarantine, who arrive in Valencia to fulfill the last wishes of a fourth friend, and older sister of one of them, who had died a year earlier. The trip, which seems directed from beyond by the dead woman, becomes a double adventure. A comic adventure, in which the ashes, first in an urn and then in a luxurious handbag, take center stage, and a dramatic adventure, that of the reunion of the friends with an old love of youth, their former coach of gymnastics, which will cause a decisive transformation in all of them. A reunion that will serve to close old wounds and overcome personal conflicts and to realize that after forty life has only just begun

Carlos, a peaceful man, looks how his quiet life is shaken when Marta, a girl aged 13, irrupts in it and starts to extort him. Unable to defend himself, he becomes involved in a series of distressing situations that lead to a disproportionate response. The country of fear digs into our worst fears and how they may and up becoming the source of different forms of domination. Such fears can lead us to accept overprotective behavior.

In 1973, towards the end of the Franco regime, the famous catalan writer Mercè Rodoreda bumped into the literary critic Josep Maria Castellet in Geneva where she lived exiled and she invited him to tea at her house. The writer was a most discrete person and maintained everything that concerned her wrapped in secrecy. Indeed she herself had become a secret or perhaps, even a maker of secrets. However that afternoon, strangely, she opened up and shared many intimacies.

The sexy Gin is the new love of Hache, but this can not forget his former girlfriend, so the love triangle is inevitable.

A woman’s body disappears mysteriously from the morgue without a trace. Police inspector Jaime Peña investigates the strange occurrence with the help of Álex Ulloa, the widower of the missing woman.