Haruo Nakajima

Japan, 1954. A legend emerges from the ashes of Hiroshima and Nagasaki, devastated by atomic bombs in 1945. The creature's name is Godzilla. The film that tells its story is the first of kaiju eiga, the giant monster movies.

An account of the life and work of legendary Japanese actor Toshirō Mifune (1920-97), the most prominent actor of the Golden Age of Japanese cinema.

Godzilla… Predator… Robby the Robot… The Gill Man… These are some of the most iconic characters in cinema, but many people still don't know about the incredible actors who bring these creatures to life!

A look at the unrecognized work of the talented artists and craftsmen who've maintained the tradition of Japanese special-effects. Highlighted is Yasuyuki Inoue along with various crew members who crafted meticulously detailed miniatures and risked life and limb as suit actors. All done to bring to life some of film's most iconic monsters through a distinct Japanese artform.

Documentary focusing on the Japanese Godzilla, featuring interviews with such people as Director Jun Fukuda, the wide of the late Ishiro Honda and Alex Cox. This documentary incorporates footage from rare shows like "Ultra Q" and films like "King Kong Escapes".

Although marketed as a "Faces of Death" type of documentary video, this is actually a compilation of scenes--in no particular order--from three different public-domain pictures that were originally released by American-International Pictures from the 1960s and 1970s

Originally released in Japan as "The Return of Godzilla" in 1984, this is the heavily re-edited, re-titled "Godzilla 1985". Adding in new footage of Raymond Burr, this 16th Godzilla film ignores all previous sequels and serves as a direct follow-up to the 1956 "Godzilla King of the Monsters", which also featured scenes with Burr edited into 1954's "Godzilla". This film restores the darker tone of the original, as we witness the nuclear destruction of giant lizard terrorizing Japan.

A re-edited Italian-language dubbed version of the original Godzilla, using as a basis the U.S. version, "Godzilla, King of the Monsters!" (1956), plus WWII newsreel footage and clips from other science fiction films. The re-edited film was then colorized via a process called "Spectrorama 70" consisting of applying various colored gels to the black and white footage. The film's opening and ending also features new music composed by musicians Fabio Frizzi, Franco Bixio, and Vince Tempera (under the pseudonym Magnetic System).

A team of geophysicists investigating seismic activity on the seafloor discover that the islands of Japan, after suffering from massive volcanic eruptions and earthquakes, will be pulled into the ocean, killing millions.

Inventor Goro Ibuki creates a humanoid robot named Jet Jaguar. It is soon seized by an undersea race of people called the Seatopians. Using Jet Jaguar as a guide, the Seatopians send Megalon as vengeance for the nuclear tests that have devastated their society.