Gabriela Canavés

Refused to face his adulthood, a Casanova must deal with the fact that he has a young pregnant daughter from an earlier relationship.

Right from its original idea, ¨The Clues - Las Pistas - Lanhoyij - Nmitaxanaxac¨ surprises you. How come no one had ever thought of including the different cultures that inhabit Argentina to shape up a story about betrayal, rescues, double agents, and varied, imprecise intrigues? That’s the game suggested by Sebastian Lingiardi’s triple-named (from its wichi and Toba translations) first film, in which a series of apparently harmless characters weave a net of imprecise connections and goals, a plot of unknown limits that turns paranoia into a concrete reality.

A reworking of Waiting for Godot where two losers (Coco and Peluca) are waiting in an amusement park abandoned to a former occasional boss (Godotti) who owes them a small amount of money.

Peluca is dating Marisita, a girl who has dropped out of school and spends her days watching television and arguing with her mother, who is exasperated to see her with no prospects for the future. The drama of a life without protection is heightened when Marisita becomes pregnant. Peluca sells her prized car, "El Blanquito," and events begin to unfold in unpredictable ways.

Julia is a hairdresser, owner of a remisería, who goes out on a Sunday picnic with her family. The day does not propose anything different from her predictable daily life: the husband protests, the teenage daughter reads dance magazines and the son will be absent.