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Black comedy about three old friend, who rent a tomb.

The psychological story begins innocently enough with a meeting between two young people in the basement of a suburban house. A flirtatious and bored girl, who is not particularly selective about her lovers, provokes an unpredictable reaction in her partner with her unexpected rejection. Not only does the boy rape the girl, but, fearing discovery, he kills her. All this is witnessed by a little boy wandering through the holiday-empty house, who thus becomes an inconvenient and dangerous witness for the murderer. The psychological and later physical "battle" between these two unequal opponents, who are not really opponents at all, culminates in a story of guilt and punishment, and at the same time of a special friendship and loyalty.

A love story which unfolds over three days and nights on the outskirts of the metropolis. Seventeen-year-old Ema (Dorota Nvotová) breaks up with 'dude' Viktor (Lukás Latinák), has a fling with future pilot Karel (Mário Kubas), and meets a real man (Ondrej Vetchý), a taxi driver without a taxi. In the tangle of relationships, the characters sometimes have an opportunity to share their feelings, but sometimes they simply pass each other by. The story is told through Ema's eyes as she observes the world around her while searching for love, fun, and joy. But she's not the only one looking for happiness, nor the only one who finds it hard to avoid hurting others in the process. Ema's abandoned mother (Jana Hubinská) looks for another chance for love, while Karel's parents try to put long-lost meaning back into their marriage.

Bára and Luboš's marriage has long been dead, and her husband is living with another woman. Nevertheless, Barbora wants to adopt a child from a children's home. She asks her husband to support her and go through the adoption process with her. That is the only thing she still asks of him. But her husband hesitates, still remembering how Bára once had an abortion against his will. Nevertheless, he eventually agrees, and so the couple arrives at the children's home to pick up their son. Bohoušek is cute and spontaneous. The grandmother immediately takes to the boy, but Bára struggles with her emotional problems. Despite everything, she still loves her husband. The question remains whether she wants to use the child mainly to solve her loneliness...
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