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Dalla was born in Bologna, Italy. He began to play the clarinet at an early age, in a jazz band in Bologna, and became a member of a local jazz band called Rheno Dixieland Band, together with future film director Pupi Avati. Avati said that he decided to leave the band after feeling overwhelmed by Dalla's talent. He also acknowledged that his film, Ma quando arrivano le ragazze? (2005), was inspir...
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A visual and sonorous journey into the poetic and irreverent imagery of the Italian singer, Lucio Dalla.
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The singer-songwriter Lucio Dalla seen through the eyes of the person closest to him in the last twenty years: Marco Alemanno. The tale of how they met and how he grew on a human, professional, and artistic level standing by Dalla’s side. And much more: daily and deeper aspects of his life, his love for Southern Italy, his passion for cinema, his relationship with music, his bulimic curiosity of launching himself into new artistic adventures, his mercurial energy and his boundless sense of humor.
Geppetto the carpenter carves the object of his hidden desires out of a log: a puppet that will keep him company and will be like a son to him. He will call him Pinocchio. Imagine his surprise when he discovers that the puppet moves, as if by magic, and is gifted with a life on its own.
In 2009 Lucio Dalla revised his repertoire in a symphonic-chord version: the result is a masterpiece where hits such as Caruso, Anna e Marco, Futura take a truly emotional form. In this live performance made in the splendid setting of the Greek Theater of Tindari, the Bolognese singer-songwriter in a unique experience with string quintet and piano.
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In a landscape of fields and ruins, a group of figures move together, humble and mythical, poetic and popular. They are the characters of a Don Quixote reconstructed within multiple temporal dimensions and different imaginary horizons. Armed with a shield and spear as well as a profound knowledge of 20th-century literature, the Hidalgo of La Mancha comes back to life among pylons and wind turbines, unfinished buildings and archaic sculptures, accompanied by an ironic and sly Sancho Panza. Entrenched with courage in a crazy vision of the world and art, populated by angelic women and storytelling magicians, the knight errant comes to meet death and accept the inevitable mediocrity of reality.
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